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Movie Reviews

  • Criticwire
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    How One of Sundance's Best Documentaries Got Lost in the Crowd

    The Arab Spring documentary 'We Are the Giant' was one of the best films at Sundance. Too bad almost no one saw it.

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  • Indiewire
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  • Indiewire
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    Why Greek Cinema Is Invading Ireland

    It's not just for their positions at opposite corners of the continent that Greece and Ireland might make for the most unlikely nations to see eye-to-eye.

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  • Indiewire
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  • Animation Scoop
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    REVIEW: Two 1960s Animated Classics on Blu-ray

    Walt Disney and The Beatles, as cultural icons, seem at first to be as distant as the Arctic and Antarctic. In reality, the two are more intertwined than one might have thought, certainly as creative visionaries. Most notably, each entity released major animated features within one year of each othe...

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  • The Playlist
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    Review: Unexceptional And Thoroughly Decent 'In Secret' Starring Elizabeth Olsen, Oscar Isaac & Jessica Lange

    What a tangled web we weave when with heaving bosoms and pained looks of longing we deceive, and Charlie Stratton's adaptation of author Emile Zola's "Therese Raquin" certainly features many scenes of both of those. It's a story that's been brought forth in a number of TV productions and most notabl...

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  • The Playlist
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    Berlin Reviews: 'Butter On The Latch,' ‘The Third Side Of The River,’ ’El Somni’ & ‘The Midnight After’

    Indie filmmaker Josephine Decker pulled off one of the major coups of the Berlin Film Festival—a “Double Decker.” A cute phrase to communicate the fact that she had her two debut films, “Thou Wast Mild and Lovely” and “Butter On the Latch,” both accepted and premiering at the Berlinale. It's certai...

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  • The Playlist
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    Berlin Reviews: ‘Two Men In Town,’ Blind Massage,’ ‘If You Don’t, I Will’ & ‘In Between Worlds’

    A remake of a 1973 French film starring Alain Delon and Jean Gabin, “Two Men In Town” is a sadly missed opportunity. It's a beautifully shot film (kudos to DP Yves Cape, who also served on “Holy Motors” and “White Material”), but one that, aside from some unusual casting decisions, brings nothing ne...

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  • Thompson on Hollywood
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    Review: Oscar Nominated 'Omar' a Taut Thriller about Paranoia's Occupation of the Soul

    Hany Abu-Assad’s smart thriller “Omar,” which has been nominated for the Best Foreign-Language Oscar, is like a modern-day “Romeo & Juliet” tale, if Romeo were a double agent in the middle of the West Bank.

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  • Thompson on Hollywood
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    Review: Motherly Love Spirals Out of Control in Romania's Chilling Oscar Entry 'Child's Pose'

    Cinema loves its messed up mother-son relationships. But rarely are they handled with the mastery of Calin Peter Netzer's tale of smotherly love "Child's Pose," Romania's 2014 Oscar entry and also one of the country's strongest films in a surprising, prosperous New Wave of films.

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