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Movie Reviews

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    Tribeca Review: 'The Machine' Is A Fastball Down The Middle For Genre Die-Hards

    Even though science fiction allows for the widest possibility of storytelling, it often seems like there are really only three or four sci-fi stories, and they stopped creating them after the eighties. How else to explain an industry overwhelmed by the amount of low-budget takes on "The Terminator" ...

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    Review: Overstuffed 'Love Is All You Need' An Unsatisfying, Predictable Rom-Com From Susanne Bier

    What’s up with those crazy Danish filmmakers and their compulsion to pile it on? The latest from Oscar-winning filmmaker Susanne Bier (“In A Better World”) is like watching a long game of Jenga. As every sub plot, reveal and character… err, caricature that is, gets stacked on top of each other, the ...

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    Tribeca Review: Featherweight 'Just A Sigh' A Wayward Romance That Immediately Fades From Memory

    Some of us are floating in the water, waiting for that big wave that we can ride, one that will let us surf to another place where the water’s warmer, less choppy, and in some cases, soaked with less tourist piss (which may or may not be part of the metaphor). One of these people is Alix (Emmanuelle...

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    Tribeca Review: Kiwi Cannibal Comedy 'Fresh Meat' Is A Silly, Tasty Treat

    There’s a certain expectation that comes with attending a horror-comedy with a ridiculously on-the-nose title. And in that respect, “Fresh Meat” delivers on its promise as a deliriously off-the-wall splatterfest with absolutely zero pretension. You could guess that Kiwi director Danny Mulheron was a...

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    Review: Godard's 'Le Petit Soldat,' From Geneva, with Angst (TRAILER)

    Set in 1958 and shot in 1960, "Le Petit Soldat" begins the way "Breathless" begins: with a man in a car. But there’s an immediate difference. "Breathless" is relentlessly present-tense, moment-to-moment: car to cop to gun to girl. "Le Petit Soldat," Godard’s fourth feature, doesn’t barrel ahead. ...

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    Why Documentary Profiles Should Have Had Their Own Section at Tribeca

    Why not give the documentary profiles their own space to shine? Given that this type of filmmaking can be found among countless new features each year, the festival's programmers may want to consider carving out a better space for them in the next edition. In the meantime, these movies still provide...

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    Review and Trailer for Oscar-Nominated 'Kon-Tiki' - An Enjoyable, Supersized High-Seas Adventure

    Norway's Oscar-nominated Foreign-Language entry, the enjoyably supersized “Kon-Tiki,” follows the real-life adventures of explorer Thor Heyerdahl, who, in 1947, embarked on an eccentric mission across the Pacific Ocean, from Peru to Polynesia, on a wooden raft. His goal was to prove that Polynesia.....

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    Review: Deeply Felt, Thrilling 'Mud' Shows Director Jeff Nichols & Matthew McConaughey At The Top Of Their Games

    It all starts with a beautifully surreal image: a decrepit boat resting comfortably in the branches of a tree. The young boys who find it want to use it, make it their own. But on this particular river island in Arkansas, they are not alone. It's not long before they encounter Mud (Matthew McConaugh...

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    Race, Class and Warfare at Tribeca

    One of the most powerful new documentaries at this year's Tribeca, Dan Krauss’s well-crafted and compelling investigative expose "The Kill Team," hits all the right buttons: political injustice, moral outrage, and emotional catharsis. Of all the films I've previewed from this year's festival, Krau...

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    Tribeca Review: 'Lily' Is A Modest But Genuinely Affecting New York Picture

    The Tribeca Film Festival is designed to explore different areas of the world, providing a mouthpiece for filmmakers and regions that normally would not have representation at a more celebrated fest. But Tribeca has also discovered the importance in finding expressive and interesting voices locally,...

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