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Movie Reviews

  • Indiewire
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    Toronto Review: Daniel Radcliffe And Zoe Kazan Share Fine Chemistry In 'The F Word,' But the Jokes Aren't So Lucky

    Canadian director Michael Dowse's movies tend to revolve around vulgar, garrulous individuals driven to ridiculous extremes, from the hotheaded hockey player in 2011's "Goon" to the headbangers at the center of "Fubar" and "Fubar II." With "The F Word," a romantic comedy about a young platonic coupl...

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    Toronto Review: Frederick Wiseman's Sprawling 'At Berkeley' Is Educational, But Whose Side Is He On?

    Frederick Wiseman has looked at institutions for decades – high school, the welfare department, public housing in New York, the US administration of the Panama Canal Zone. Now he's given us "At Berkeley," a look at the University of California at Berkeley, the premiere campus of what many consider t...

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  • SydneysBuzz
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    LatinoBuzz: Bet You Didn't Know These Latino Movies are Free on Hulu

    Did you know that Hulu has a Latino channel? Not only is it a place to catch up on your favorite novelas like "La Seleccion", or English-language TV shows like "The Bridge" but it also houses a decent collection of indie Latino films. We combed through the selections and here are LatinoBuzz's top pi...

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  • Thompson on Hollywood
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    TIFF Review: 'Standing Aside, Watching'

    The heroine’s name is Antigone, but the myths at work in “Standing Aside, Watching,” are those of the American western, a western one whose heroine has more cojones than a dozen Gary Coopers. The film? A model of urgent, contemporary storytelling by Greek director Yorgos Servetas, with a sometimes s...

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  • Indiewire
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    Toronto Review: 'Therese,' Starring Elizabeth Olsen, Oscar Isaac and Jessica Lange, Fails On Every Level

    Give a bunch of American actors -- Elizabeth Olsen, Oscar Isaac and Jessica Lange -- a classic Parisian text and they implausibly turn out their best British accents. There is something amiss with a period drama genre when getting the tones from the right side of the English Channel proves so diffic...

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  • The Playlist
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    TIFF Review: Paul Haggis' 'Third Person' With Liam Neeson, James Franco & Olivia Wilde Is Ludicrously Awful

    We're coming on a decade since Paul Haggis' "Crash" won Best Picture at the Oscars, and it's still one of the most divisive victories in recent memory. Detractors of the film are quick to point out the flaws in the L.A.-set drama, citing what they perceive to be the film's crass manipulativeness, on...

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  • The Playlist
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    TIFF Review: Catherine Breillat’s 'Abuse Of Weakness' Starring Isabelle Huppert

    It’s unlikely a filmmaker brought a more personal narrative project to the Toronto International Film Festival than Catherine Breillat. The “Fat Girl” and “Romance” director’s 14th film, “Abuse of Weakness,” is a strange, unsettling, and difficult-to-penetrate creation based on the most trying perio...

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  • The Playlist
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    TIFF Review: Kevin Macdonald’s ‘How I Live Now’ Starring Saoirse Ronan, Tom Holland, & George MacKay

    Note the title, “How I Live Now,” and its absence of colons, commas, or other punctuation implying further installments—it’s the first sign of the crucial immediacy to Meg Rosoff’s 2004 YA novel, now brought to the screen by “Last King of Scotland” director Kevin Macdonald. The second is impossible ...

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  • Thompson on Hollywood
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    TIFF Review: Teller's Clever Art Mystery Doc 'Tim's Vermeer' Plays Like Magic (CLIP)

    “Tim’s Vermeer” is something that Mark Twain could have thought up. It applies a hard-headed empirical reality check in the spirit of Benjamin Franklin or Thomas Edison to the theory that the Dutch painter Johannes Vermeer used technology (lenses) to arrive at a precision that could not have been ac...

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  • Thompson on Hollywood
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    Review and Roundup: Matthew Weiner Misfires with Critically Panned 'You Are Here'

    Matthew Weiner's contemporary comedy "You Are Here," an exploration of male friendship starring Owen Wilson and Zach Galifianakis, doesn't work. How could the creator of "Mad Men" so miss the mark?

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