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Movie Reviews

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    Tribeca Review: 'Dark Touch' Matches Pitch Black Subject Matter To Fangoria-Style Visuals

    Director Marina De Van has had a curious career, emerging from the shadows of collaborator Francois Ozon. Her first two films were strongly indebted to a culture of Gaellic body horror that plumbed greater depths than the more commercial sadism expressed in films like "Martyrs" and "Inside," with he...

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    Review: 'Oconomowoc' Is More Coming-Of-College-Age Quirk You've Seen Before

    Bust out your bemused deadpan, it’s time for “Oconomowoc!” This excessively low-temperature film is yet another example of an indie film wanting to have its cake and eat it too: an arch, knowing approximation of indie aesthetics that both mocks and embraces its forebearers in a way that pretends the...

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    Tribeca and Beyond: Criticism From the Indiewire Community

    Here's our weekly collection of the film criticism that appeared throughout the Indiewire Blog Network. The latest edition is heavy on "Oblivion" and Tribeca Film Festival opening night selection "Mistaken For Strangers," but also includes a number of other recent or upcoming releases and Tribeca Fi...

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    Tribeca Review: 'Six Acts' Delves Into The Darkness Of Casual Sex

    There aren't a whole lot of words to describe that feeling of intimacy where everyone knows each other in the, ah, Biblical sense, but the feelings are not necessarily all-around mutual. Such sentiment pollutes the lives of characters at the heart of "Six Acts," a powerful Israeli film that follows ...

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    Weekend Preview: Tom Cruise's 'Oblivion' a Mediocre Mission, Francois Ozon's 'In the House' Liked by Critics

    Tom Cruise apocalyptic vehicle "Oblivion," which is expected to score about $30 million when it opens wide this weekend, is a rare thing these days: a movie that arrives full-blown from the head of its filmmaker. While critics agree that Joseph Kosinski's spectacular piece of grown-up sci-fi boasts...

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    Can Cruise and Universal Make Kosinski's Sci-Fi 'Oblivion' a Global Hit? Review and Roundup

    Tom Cruise went overboard praising Universal execs at the premiere for Joseph Kosinski's "Oblivion" (April 19). "I've been doing this a few years now," he told the Dolby Theater crowd. "Making films today, it takes a village, as artists it's about problem solving." You need the studio behind you, is...

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    Tribeca Review: 'Raw Herring' Is Miraculous Exercise in Single-Shot Cinema

    Any cinematographer worth his salt is probably already aware of “Raw Herring,” which may not sound appetizing to everyone (with onions? serve ‘em up …) but is a miraculous exercise in the art of the camera. It may also serve as a breath of fresh air to audiences fed up with the sterile artifice of s...

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    Tribeca Review: 'Adult World' Spins A Quirky Comedy That Doesn't Quite Come Together

    The very first scene of "Adult World" should immediately set off warning bells. It's a glimpse of heroine Amy (Emma Roberts) as she contemplates suicide in much the same way someone goes about stacking bills; without weight, as if it's something of an eternal hassle. Except her worried countenance a...

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    Tribeca Review: Cute Cats Abound, But 'Lil Bub and Friendz' Is a Missed Opportunity

    If you've been entertained by internet cat videos -- and, let's face it, we all have -- chances are strong that you will find something amusing about "Lil Bub and Friendz." Then again, the entry point for appreciating this light-headed look at viral phenomena, produced by Vice's ever-expanding media...

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    Review: Budding and Seasoned Voyeurs Collaborate with Mixed Results in Francois Ozon's 'In the House'

    Francois Ozon's psychological mystery “In the House,” which is adapted from the play by Juan Mayorga, works as an interesting companion piece to Ozon’s 2003 film “Swimming Pool.” Both center on a middle-aged literary curmudgeon who develops a fantastic fixation on a young, enticing and distinctly th...

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