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Movie Reviews

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    Tribeca Review: A Lovely & Considered Humanism Courses Through ‘The Rocket’

    There’s a tricky balance to be found in Australian documentarian Kim Mordaunt’s impressive narrative debut “The Rocket.” Mordaunt, who returns to Laos after exploring the country in his documentary “The Bomb Harvest,” tells a tale that’s both humanistic and soulful, yet political and socially aware....

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    Tribeca Review: 'What Richard Did' Is A Stark, Sobering Drama Of Guilt And Regret

    Last week, Matt Singer wrote a solid Criticwire piece on spoilers and film reviews, discussing the right, or lack thereof, of readers complaining about spoilers in reviews. I don't subscribe to the theory of spoilers because films aren't simply a cherry-picked collection of moments: it makes no diff...

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    Tribeca Review: 'Richard Pryor: Omit The Logic' Obscures The Genius Of A Comedic Titan

    It's an unenviable task, putting together a documentary about a stand-up comedian. The best ones transcend the form and become storytellers; in the case of "Richard Pryor: Omit The Logic," offering only brief snippets of Pryor's bits is like doing a Michael Jackson doc and only playing a few bars of...

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    Tribeca Review: Grisly 'Raze' Wastes The Surprising Presence Of Zoe Bell

    The women-in-prison genre gets a contemporary reworking in the grisly slugfest “Raze.” There’s no sex or nudity in this film, which pairs off a large ensemble of actresses in a series of increasingly violent fistfights to the death, and some audiences might find this a cause for celebration -- Bechd...

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  • Thompson on Hollywood
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    Louisiana International Film Festival Continues with Industry Expo, Strong Documentaries, 'I Am Divine' (TRAILER)

    The days' screenings: it's doc day! "Life According to Sam" showed at Sundance and is to be broadcast on HBO in the fall . The second doc is Jeff Kaufman's lively, densely-populated "The Savoy King," which debuted at the New York Film Festival. The third is "I Am Divine," by accomplished documentari...

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    Now and Then: Olivier and the Bard

    "I can smile, and murder while I smile," confides that notorious noble, Richard, Duke of Gloucester (Laurence Olivier), "and frame my face to all occasions." For Olivier, pronouncing "frame" like "feign," it's an auspicious beginning. In Shakespeare's words, he finds his performer's credo.

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    Tribeca Film: Wadjda - Written and Directed by Haifaa Al-Mansour

    What Wadjda (Waad Mohammed) wants to do is simple - ride a bike. That shouldn't be so difficult, but when you live in Saudia Arabia, a place where women can't drive, a girl riding a bike in the street is not allowed

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    Tribeca Review: Anti-Biodoc Delves into the Austere World of Michael Haneke: "true beauty is accuracy" (TRAILER)

    You'll get only small fragments of Michael Haneke's biography in "Michael H., Profession Director." Yet you will see how Haneke works. And you'll get a strong dose of how actors feel about the man who forces them to force audiences to confront terrifying emotions.

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    Criticwire Picks: 'Sun Don't Shine' Appeals to All of Critics' Five Senses

    Can you feel a movie? Not really, but critics explain why Amy Seimetz' debut film brings you about as close as you can get.

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    Keanu Reeves Gives His Weirdest and Most Distinctive Performance In Years In 'Generation Um...'

    Few actors carry over their onscreen persona from one project to another like Keanu Reeves. In recent years, however, his subdued demeanor has been virtually absent from American cinema, save for a handful of supporting roles and one vaguely interesting change of pace in the heist movie "Henry's Cri...

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