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Movie Reviews

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    TIFF Review: Wild & Vulgar 'Dom Hemingway' Starring Jude Law

    "A man with no options suddenly has all the options in the world," goes the liquor-soaked advice of Dom Hemingway (Jude Law). And while he admits that he has no idea what that actually means, he nonetheless lives that credo to the fullest in Richard Shepard's wickedly wild and vulgar "Dom Hemingway....

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    Recap: 'Breaking Bad,' Season Five, Episode 13 'To'hajiilee'

    Last week's episode, the sublimely conflicted "Rabid Dogs," ended with a pair of calls: Jesse (Aaron Paul), consumed with paranoia, dialed Walt (Bryan Cranston) with a promise: he'd be coming for him where it really mattered. Moments later, Walt, made a call of his own, to Todd (Jesse Plemons), info...

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    TIFF Review: Nicole Holofcener's 'Enough Said' Starring James Gandolfini & Julia Louis-Dreyfus

    The one constant surprise about getting older is that the ongoing lesson you soon learn is that you'll never figure it all out. Whatever you seemed confident and sure about at twenty becomes more nuanced by thirty and by the time you're seeing forty on the horizon, what was important two decades ago...

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    Lynn Shelton's Family Close-Up, 'Touchy Feely'

    As we know from moisturizer commercials -- and are reminded by an unlikely source, Lynn Shelton's Touchy Feely -- extreme close-ups of skin are not pretty, full of cracks and lines and bumps. We see these shots because Rosemarie De Witt plays Abby, a massage therapist whose emotional life is qu...

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    Venice Review: Amos Gitai's Shot-In-One-Take 'Ana Arabia'

    If there was one stylistic trend at Venice this year, it was bravura, lengthy shots. The festival kicked off with the twenty-minute opening shot of "Gravity," and the rest of the festival sometimes felt like some kind of who-can-hold-a-shot the longest competition, with Steven Knight's "Locke" and T...

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    TIFF Review: John Carney's 'Can a Song Save Your Life?'

    How about we call it “Twice”? Director John Carney so desperately wants to recreate the success of “Once” with his latest pop-musical fairy tale, “Can a Song Save Your Life?,” that it’s almost embarrassing, even if there are a number of good things to say about it. Enough good things, in fact, that ...

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    Toronto Review: Eli Roth Brings Shock, But Few Surprises, to Gross-out Cannibal Tribute 'The Green Inferno'

    For horror fans, Eli Roth and cannibal movies both bring a set of expectations that are met by "The Green Inferno," modern shockmeister Roth's first feature since 2007's "Hostel II." The cannibal genre that came and went in the seventies and eighties was known less for the quality of filmmaking than...

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  • The Playlist
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    TIFF Review: Denis Villeneuve’s ‘Enemy’ Starring Jake Gyllenhaal Is A Haunting Look At Our Dark Desires

    At the risk of blatantly repeating ourselves, Jake Gyllenhaal and director Denis Villeneuve are on the cusp of a banner 2013 that is about to hit its crest. Their first-unveiled collaboration, the harrowing, Fincher-with-more-emotional-resonance crime thriller “Prisoners” has already bruised audienc...

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  • The Playlist
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    TIFF Review: Richard Ayoade's Daring 'The Double' Starring Jesse Eisenberg & Mia Wasikowska

    When Richard Ayoade arrived in 2010 with his charming tale of adolescence and young romance with the stylish "Submarine," the picture was immediately greeted with rather reductive comparisons to Wes Anderson. It was an unfair assessment levelled at the movie and filmmaker—even from those who champio...

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  • The Playlist
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    TIFF Review: 'Mad Men' Creator Matthew Weiner's 'Are You Here' Starring Zach Galifianakis & Owen Wilson

    Matthew Weiner’s “You Are Here” is the worst “Mad Men”-related disaster since Sally Draper walked in on her father and Linda Cardellini going at it last season. And that was pretty bad, especially since Sally has already barged in on several passionate trysts—happily, not always involving her old ma...

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