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Movie Reviews

  • Indiewire
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    New York Film Festival Review: David Chase's Directorial Debut 'Not Fade Away' Pays Homage to an Era, Without a Purpose

    Relishing the sights and sounds of the early '60s with a self-indulgence that makes "Mad Men" look restrained, "The Sopranos" creator's feature debut reaches for a grand statement and instead simply channels nostalgia. Using a typical coming-of-age mold, Chase turns cultural ephemera into formula.

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  • Thompson on Hollywood
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    Weekend Preview: Arnold's 'Wuthering Heights,' Meier's 'Sister,' Jarecki's 'House I Live In' & Lee Daniel's Hot Mess

    A strong selection of films arrive in theaters this weekend. Not only are "Frankenweenie," "Taken 2" and "V/H/S" fighting for audience attention, there's also Switzerland's powerful Foreign Language Oscar entry from Ursula Meier, "Sister," and Andrea A...

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  • Indiewire
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    Critic's Notebook: What Filmmaker John Akomfrah's Work Tells Us About the Present By Way of the Past

    True to his post-colonial interests, Akomfrah's work blurs and re-imagines the distinction between video art and cinema. While his conceptual rigor and semantic preoccupations suit the immersive spaces of video art/installation, his lyricism calls for the scope of the big screen.

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  • The Playlist
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    Review: 'Escape Fire' Paints A Portrait Of A Broken System & A Hopeful, Humanist Solution

    "Escape Fire: The Fight to Rescue American Healthcare" opens with an anecdotal analogy that initially seems kind of out of place in a documentary about health care systems. Dr. Don Berwick relates how a firefighter, while combatting an out of control forest fire, chose to set a fire around him in or...

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  • Leonard Maltin
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    The Paperboy—movie review

    I suppose we all like a taste of Southern-gothic storytelling now and then, so I was ready to enjoy The Paperboy based on what little I’d heard ahead of time. And yes, Nicole Kidman’s unflinchingly flashy performance—in a parade of brightly colored miniskirts—is an attention-...

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  • Leonard Maltin
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    Frankenweenie—movie review

    Tim Burton has returned to familiar turf in 'Frankenweenie'. That will come as good news to some fans and bad news to others, who may feel that he’s gone to the same well once too often. I enjoyed this feature-length remake of his 1984 short, even though the seams show.

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  • Leonard Maltin
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    Beauty Is Embarrassing—movie review

    Here is another documentary I’ve only recently managed to see, somewhat late in the game. Fortunately, 'Beauty is Embarrassing' is still playing in theaters and touring the film festival circuit, so adding my kudos to the praise it’s already received isn’t simply academic. Wayne White may not be a h...

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  • Leonard Maltin
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    Searching For Sugar Man—movie review

    I know I’m late to the party, but I only recently caught up with 'Searching for Sugar Man', which debuted to great acclaim at this year’s Sundance Film Festival and has built a steady following ever since. Its protagonist is even being profiled on '60 Minutes' this Sunday.

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  • The Playlist
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    Review: 'Taken 2' Promises The Same Plate, Less Flavor, Smaller Servings

    There’s diminishing returns, and then there’s “Taken 2,” the next, and probably last installment of the “Taken” franchise. Of course, it’s a piece of a whole, only the latest in the body of work from producer Luc Besson (again sharing screenwriting duties wi...

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  • The Playlist
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    Review: 'V/H/S' A Solidly Delivered Horror Anthology That Brings The Thrills

    When compared to the pristine picture quality of Blu-ray, the VHS format is a decrepit, grungy thing, so how better to make an anthology of grimy spook stories than to embrace that aesthetic all-around, as "V/H/S" does? Made up of six found-footage style segments – few of which actua...

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    MORE: V/H/S, Review

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