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Movie Reviews

  • Indiewire
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    Berlin Review: Haunting Backwoods Noir 'A Single Shot' Returns Sam Rockwell To His Darker Side

    Even before John Moon, the lonely woodsman played by Sam Rockwell at the center of David M. Rosenthal's "A Single Shot," accidentally shoots a young woman while hunting the desolate area near his trailer, his world has fallen apart. Rosenthal's adaptation of Matthew F. Jones' 1996 novel features a f...

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  • Shadow and Act
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    PAFF 2013 Review - 'Dreams Of A Life' (Harrowing Reconstruction Of A Life From Fragments)

    By now I’m sure we’re all familiar with the story, even if it’s just the broad details of it – young woman dies in her apartment and her body isn’t discovered for a good 3 years, as it lay there putrefying – which actually sounds like it could be a pitch for ...

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  • SydneysBuzz
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    Richard Lormand, Publicist's Best Films

    Richard Lormand's films are always a key to the best films at the festivals of Berlin, Venice and Cannes. If he reps them, you want to see them.

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  • Indiewire
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    Berlin Review: German Klondike Western 'Gold' Is 'Meek's Cutoff' For Dummies

    A universe away from the German bounty hunter roaming the Old West in "Django Unchained," the European adventurers in "Gold" hail from a more traditional playbook. Director Thomas Arsland's watchable oater only maintains a uniqueness for the sheer presence of German characters involved in a plight m...

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  • Indiewire
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  • The Playlist
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    Review: 'Would You Rather' See This Movie, Or Make A Better Use Of Your Ten Bucks?

    Several filmmakers have their own insight into what the recession has done to the middle class. Few of them have as much anger as David Guy Levy, director of “Would You Rather,” a sinister new thriller opening in theaters this Friday. No, Levy thinks of the general public as prey not to be hunted, b...

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  • The Playlist
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    Berlin Review: Matt Porterfield’s ‘I Used To Be Darker’ Has Empathy To Burn But Lacks Urgency

    In between the big events that mark our lives -- the births, the deaths, the falling-in-loves, the breaking-ups, the runnings-away, the reconciliations -- there often exists a kind of pause moment. And it’s one such moment that Matt Porterfield’s Sundance-approved third feature, “I Used to be Darker...

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  • Indiewire
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    Berlin Review: 'It's All So Quiet,' A Tender Tale of Death and Farming From Nanouk Leopold

    Not much happens in "It's All So Quiet," a tender portrait of middle-aged frustrations set on a desolate farm, but nearly every moment is steeped in deep sadness. Dutch filmmaker Nanouk Leopold's adaptation of Gerbrand Bakker's bestselling novel moves with such extreme patience...

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  • Thompson on Hollywood
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    Weekend Preview: Good 'Side Effects,' 'Identity Thief' Steals Your Time, Praise for Foreign 'Lore' and 'Caesar Must Die'

    Steven Soderbergh's pharma-thriller "Side Effects" hits theaters this weekend, starring Rooney Mara as a woman suffering a deleterious breakdown after her husband's release from prison. Critics are praising Soderbergh's film, his last big-screen entry before a self-imposed retirement from cinema. In...

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  • The Playlist
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    Berlin Review: Joshua Oppenheimer’s 'The Act Of Killing' Is A Constantly Astounding, Terrifying Masterpiece

    Holy fucking shit. All apologies for incoherence in the following review but having just emerged from Joshua Oppenheimer’s shattering documentary “The Act of Killing,” which screened here in Berlin this morning, I am still shaking. I may not be in the best state to write about it, in fact, but there...

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