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Movie Reviews

  • Leonard Maltin
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    STOKER

    When a visual stylist like Korean director Park Chan-Wook (of "Oldboy" fame) is handed a screenplay that demands an atmosphere of portent and dread, it’s likely that the filmmaker will make the most of the opportunity

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  • The Playlist
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    Review: Silly & Cartoonish 'Stoker' Is A Garish Misfire For Park Chan-Wook

    One could argue there's nothing subtle about the movies made by South Korean filmmaker Park Chan-wook, the director behind "Oldboy," including the celebrated 'Vengeance Trilogy' and the loopy vampire movie, "Thirst." Violence reigns in his films, cameras pirouette like self-conscious characters in h...

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  • The Playlist
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  • The Playlist
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    Review: '21 And Over' Is A Derivative, Wholly Unfunny Ode To College Shenanigans

    The mythic college experience, the one dramatized in countless movies and television shows with a kind of oversized affection, involves a certain amount of reckless dangerousness, along with the all-important three B's – booze, brawling, and breasts. "21 and Over," a new comedy written and directed ...

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  • Thompson on Hollywood
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    Review: Oscar-Nominated 'War Witch' Sees Trauma Through the Haunted Lens of Magical Realism

    “War Witch,” Canada’s Oscar-nominated Foreign-Language entry, centers on a young African girl’s abduction into a rebel army, her escape, and the slow, painful process of liberating herself from the army’s traumatic, devastating reach. It is directed by French-Canadian Kim Nguyen, and is the second f...

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  • Shadow and Act
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    Review: 'War Witch' Is A Harrowing Yet Beautiful Tale Of Courage & Resiliency At Time Of War

    It's a film that we encourage you to see in the theater, but if you can't wait until it comes to your city, or if it's not coming to your city at all, the film also became available on demand starting on February 26th.Rarely does war look so beautiful on film. I feel somewhat guilty saying ...

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  • Shadow and Act
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  • The Playlist
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    Review: Oscar Nominated 'War Witch' A Haunting, Brutal Surrealist Fable Matched by Powerful Lead Performances

    Before any political or societal context enters the brutal cinematic depictions seen in “Come and See” and “City of God,” each effort can first speak clearly enough from the image of a child holding a firearm. Gawky, nervous, and with an expression of terrified power, the isolated sight holds many q...

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  • Thompson on Hollywood
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    Now and Then: What's the Matter with Film Critics?

    The only genuine surprise of Sunday night's Oscar telecast — varying levels of predictability, misogyny, and self-congratulations being par for the course these days — came during the "In Memoriam" montage, which by definition should be the least surprising moment of all.

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  • Thompson on Hollywood
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    Review Roundup: 'Jack the Giant Slayer,' from Fee-Fi to Ho-Hum, End of Fairy Tale Rainbow?

    Critics are divided on Bryan Singer's "Jack the Giant Slayer," starring Nicholas Hoult, Ewan McGregor, Stanley Tucci and Eleanor Tomlinson. Some bluntly call it "pretty dumb" and label it as yet another Hollywood cash-in on the fairytale trend, while others find Singer's ...

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