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Movie Reviews

  • Caryn James
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    'Skyfall' Review. Bond At 50: Older, Wiser, Much Better Written

    Daniel Craig looks craggier than ever in Skyfall, which is part of the film’s sly, obvious-yet-effective theme. Without slowing down the intricate, explosive action that defines a Bond movie, director Sam Mendes and a sharper-than-usual screenplay create a story in which Bond is feeling h...

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  • Criticwire
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    Criticwire Picks: Surprise! It's 'Skyfall.' Plus: How To Avoid 'Starlet' Spoilers

    We knew from the first wave of "Skyfall" reviews that this film would be a positive entry into the Bond canon. Weeks later, it's the current pick of the week for this week's roundup of activity among critics in the Criticwire network.

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  • Indiewire
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    Filmmakers You Should Know: Sean Baker, Artisan of American Naturalism

    No matter the scale of the production, American cinema largely reflects the conditions of a society that still has a hard time exploring its diversity. To put it simply: A lot of movies are made by white guys and revolve around white guys. American filmmaker Sean Baker is a white guy, but the four f...

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  • The Playlist
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    AFI Fest Review: 'Rise of the Guardians' Is An Animated Yuletide Treat

    "Rise of the Guardians," the new DreamWorks Animation feature conceived by famed children's book author William Joyce, features, at its core, such an ingenious concept that it's hard to believe nobody's ever thought of it before. The plot concerns a kind of "Avengers"-style super-team made up of bel...

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  • Thompson on Hollywood
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    Now and Then: 'Your Sister's Sister,' Lost in the Oscar Shuffle

    As much as I enjoy awards chatter, this time of year can be frustrating. Spring, summer, even early fall releases that merit attention melt away before the campaigns of the heavy hitters. Lynn Shelton's lovely character study "Your Sister's Sister" won't factor in the Oscar race, and maybe it doesn'...

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  • The Playlist
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    AFI Fest Review: Audacious 'Clip' Winds Up Overwhelmed By Its Own Despair

    Maja Miloš’s debut feature film “Clip” continues to tour the festival circuit, including stopovers at the Rotterdam International Film Festival, Buenos Aires International Fesitval of Independent Cinema, Montreal’s Festival Du Nouveau Cinema and, most recently, in AFI&...

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  • Thompson on Hollywood
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    Brody Morelia Diary Day 1: Discovering Mur Oti, Binoche and Ramirez's 'A Coeur Ouvert'

    Mr. Toad’s Wild Ride was calm compared to the one I took from the Berkeley Hills to Oakland – and thence to the San Francisco Airport – once I realized that the e-ticket itinerary I’d printed out that afternoon was not for the Sunday night redeye flight I’d requested, but Saturday night – i.e., thre...

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  • Indiewire
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    AFI Fest Review: Joe Swanberg's 'All the Light in the Sky' Is a Minor Effort in a Minor Key

    Some filmmakers invest in each new movie with a robustness comparable to a band making a full-fledged musical album, but Joe Swanberg's lean, scrappy approach to each project often results in works resembling individual tracks. "All the Light in the Sky" is a B-side in the prolific you...

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  • Leonard Maltin
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    The Two Faces Of Wallander

    Guest column by Alice Maltin: I’ve been lost in the world of Henning Mankell’s 'Wallander' because I’m viewing the British adaptation on TV while simultaneously following the Swedish series on DVD. This is causing some confusion for me. Is that woman the killer or is it the handyman?

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  • Thompson on Hollywood
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    AFI Mid-Fest Report: On the Red Carpet with 'On the Road' and 'Silver Linings'; 'The Hunt,' 'Hitchcock,' 'Our Children' & 'War Witch' Reviews

    We're in the thick of AFI Fest, with too many films to see and not enough time. TOH's Anne Thompson reviews opening night film "Hitchcock" here, Matt Mueller reviews "Holy Motors," Beth Hanna tackles the devastating Belgian Oscar entry "Our Children," and I checked out "Silver Linings Playbook," "On...

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