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Movie Reviews

  • Indiewire
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    Sundance Review: 'Escape From Tomorrow' Is a Surreal Indictment of Disneyfied Society That Disney Will Never Let You See

    Randy Moore's debut feature is already one of the most talked-about films in recent Sundance history. By filming without permission and portraying Disney World as the ultimate horror show, the question is whether anyone else will ever get to see it.

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  • Indiewire
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    Sundance Review: Alicia Keys-Scored 'Inevitable Defeat of Mister and Pete' Loses Its Way

    Director George Tillman Jr.'s filmography includes star-studded studio projects like "Men of Honor" and "Notorious," but you wouldn't guess it from the ultra-sincere "The Inevitable Defeat of Mister and Pete," an earnest tale of two lower class kids spending the summer on their own in the Brooklyn p...

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  • Thompson on Hollywood
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    Sundance Review and Roundup: Jordan Family Drama 'May in the Summer'

    Writer-director Cherien Dabis adds actress to her skill-set with Sundance opening-nighter "May in the Summer," her follow-up to her first 2009 film "Amreeka." In both films Dabis takes her singular experience as an Arab American to reveal how complicated living between cultures can be.

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  • Thompson on Hollywood
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    Weekend Preview: Jessica Chastain's 'Mama,' Schwarzenneger's 'Last Stand' and Wahlberg's 'Broken City'

    It's all about Jessica Chastain this weekend, with Andrew Muschetti's horror title "Mama" joining Oscar-nominated holdover "Zero Dark Thirty" at the box office. The modestly reviewed "Mama" is probably the best bet of the new releases...

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  • Shadow and Act
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    Review: What 'LUV' Says About Manhood, or the Lack Thereof... (Opens Today)

    Writer/director Sheldon Candis’ first feature is a gutsy Baltimore drama centered on 11-year-old Woody (Michael Rainey Jr.), a fatherless youth who gets a lesson in the hard-knock life from his hustler Uncle Vincent (Common).

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    L.A. Rebellion 2013 Retrospective Review: Jamaa Fanaka's 'Emma Mae' + Interview w/ Star Jerri Hayes

    EDITOR'S NOTE: The retro is being rebooted for runs in Philly, Toronto and New York through February. Over the next few weeks, we'll be revisiting our reviews/write-ups/interviews on the series (from Brandon Wilson and Nijla Mumin) when it begun in Los Angeles over a year ago... here...

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  • ReelPolitik
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    In Tale of Migrants, Gael Garcia Bernal Traces Path of "Dayani Crystal"

    Of the many issue-oriented docs at Sundance this year, the first day's screenings brought the world premiere of "Who is Dayani Crystal," a well-crafted documentary about the plight of Latin American migrants. Produced and featuring Mexican star Gael Garcia Bernal, I was initially su...

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  • Thompson on Hollywood
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    Sundance Review Roundup: Sebastian Silva's Drug-Fueled and Off-Kilter Slacker Comedy 'Crystal Fairy,' Starring Michael Cera

    Critics are weighing in from Park City on Sebastián Silva's 'Crystal Fairy & the Magic Cactus and 2012,' starring Michael Cera, one of three Sundance Fest opening night offerings. The effectiveness of Cera's casting is up for debate -- some reviewers find it a refreshing shake-up from the young acto...

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  • Indiewire
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    Sundance Review: Jordan-Set 'May in the Summer' Smartens Up Chick Flick Conventions

    Cherien Dabis' 2009 directorial debut "Amreeka" followed a family of Palestinian immigrants trying to make do with life in suburban America. Her follow-up, the substantially more polished and enjoyable "May in the Summer," tackles the inverse premise: A high-minded New Yorker dealing with a vastly d...

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  • Leonard Maltin
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    BROKEN CITY

    When a film purports to have a powerful secret—and then, after almost two hours, produces a “big reveal” that’s no big deal, it’s pretty disheartening. That’s how I felt at the end of "Broken City."

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