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Movie Reviews

  • Indiewire
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    Cannes Review: Killer Dance Moves and Crime In Simple, Formulaic 'Grigris'

    Chad-based director Mahamat-Saleh Haroun's last feature, the Cannes-winning "A Screaming Man," involved father-son tensions against the backdrop of civil war. By comparison, his followup "Grigris" is something of a letdown, though it works well enough on the scale of a basic character study. The mov...

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  • Shadow and Act
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    DVD Review - Senegalese Drama 'Les Feux De Mansaré' ('Fire of Mansaré')

    Known mainly for his award-winning short films, in Les Feux De Mansaré director Mansour Sora Wade delivers a second feature film as a story about desire, choice and the freedom (or lack of it) of young people forced into a traditional practice where a male tags a girl at birth for marriage in adulth...

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  • The Playlist
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    Cannes Review: 'La Grande Bellezza' An Indulgent But Dreamy Reflection On Life, Love & More

    Opening with a literal bang from a cannon and proceeding into an over-the-top party sequence, Paolo Sorrentino lets you know from the start that nothing will be held back in his latest, "La Grande Bellezza." After breaking out on the international scene with "The Consequences of Love" and "Il Divo,...

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  • Thompson on Hollywood
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    Review Roundup: Critics Go Ga-Ga for Soderbergh's Outrageously Mesmerizing 'Behind the Candelabra'

    Critics are over the glittering, bedazzled moon for Steven Soderbergh's Cannes competition entry "Behind the Candelabra," set to premiere on HBO on May 26 and starring a no-holds-barred Michael Douglas and Matt Damon as the famed pianist Liberace and his younger lover, Scott Thorson. The Telegraph r...

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  • Caryn James
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    Michael Douglas, Kitsch and Depth: Soderbergh's 'Behind the Candelabra'

    Despite the earnest pr spin surrounding it, Behind the Candelabra invites us to laugh at - not always with - the grinning, gaudy Vegas spectacle that is Liberace. But Michael Douglas' performance is also deep, sympathetic and brilliant, an act of impeccable mimicry that reveals the essence of a ...

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  • The Playlist
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    Cannes Review: Claire Denis Destined To Divide With Disturbing, Salacious 'The Bastards'

    If all art is only ever about sex and death, Claire Denis’ Un Certain Regard film “The Bastards” may be the most "artistic" one we’ve seen in Cannes to date, as it rolls around positively shamelessly in the musk of both. Or it may be a grubby little exercise in exploitation, depending on who you tal...

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  • Shadow and Act
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    Maryland Film Fest Review: 'Mother of George' Is The Best Film I’ve Seen Thus Far This Year

    Every year I pick a favorite film, among the many I see at the Maryland Film Festival, and this year it's a truly remarkable one—Mother of George.

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  • Indiewire
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    Cannes: Suicide and Sexual Abuse Abound In Claire Denis' Frustratingly Muddled 'Bastards'

    Claire Denis' films are typically intimate dramas weighted with emotion, which makes it particularly dispiriting that "The Bastards," her eleventh feature, contains those ingredients without sufficiently pulling them together. A muddled revenge drama about family ties and traumatic experiences, the ...

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  • Indiewire
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    Cannes Review: 'Behind the Candelabra' is Steven Soderbergh's Glamorous, Garish and Great Goodbye (For Now)

    "Behind the Candelabra," which premiered at Cannes today before heading to HBO on Sunday, May 26th at 9pm, is Steven Soderbergh's virtuoso swan song to filmmaking (at least for now), his final feature before stopping to focus on his painting.

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  • Indiewire
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    Cannes: Family Problems Dominate In Clio Barnard's 'The Selfish Giant' And Kore-eda's 'Like Father Like Son,' But 'Borgman' Makes Them Scary

    Movies for families tend to embrace the value of sticking together. However, movies about families -- at least those with a certain amount of gall -- assail that very same principle. At the Cannes Film Festival, which attracts stories from around the world, the notion of familial stability is eviden...

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