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Movie Reviews

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    Review: 'Raze' Starring Zoe Bell & Rachel Nichols Doesn't Pack The Punch It Should

    The women-in-prison genre gets a contemporary reworking in the grisly slugfest “Raze.” There’s no sex or nudity in this film, which pairs off a large ensemble of actresses in a series of increasingly violent fistfights to the death, and some audiences might find this a cause for celebration—Bechdel ...

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  • Thompson on Hollywood
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    CINE-LIST: Five International Cinema Highlights from the Palm Springs Film Festival

    Palm Springs International Film Festival excels in its foreign cinema selection, offering up the must-see buzzy titles, but also the lesser-known, equally worthy entries. By this point everyone knows that, say, Miyazaki's "The Wind Rises" or Thomas Vinterberg's "The Hunt" can't be missed. But what a...

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    Sundance Curiosities: Will ‘Fed Up' Be the Last Straw for America's Food Industry?

    Virtually every year, the Sundance Film Festival premieres at least one documentary that serves as a hugely compelling call to action. Rallying for the distinction this year is director Stephanie Soechtig’s “Fed Up.”

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    Review: Award Winning ‘The Rocket’ Is A Lovely, Resonant & Deeply Accomplished Drama

    There’s a tricky balance to be found in Australian documentarian Kim Mordaunt’s impressive narrative debut “The Rocket.” Mordaunt, who returns to Laos after exploring the country in his documentary “The Bomb Harvest,” tells a tale that’s both humanistic and soulful, yet political and socially aware....

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    American Horror Stories: Why 'The Wolf of Wall Street' Should Be Drawing Comparisons to '12 Years a Slave'

    Two very different-looking movies have more in common than meets the eye.

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  • Thompson on Hollywood
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    Review: Kim Mordaunt's Australian Oscar Submission 'The Rocket,' a Primitivist Parable with Anti-Corporate Message (TRAILER)

    There’s some seductively primeval scenery decorating Aussie director Kim Mordaunt’s “The Rocket,” which is Australia's Oscar entry, if only because its setting -- Laos -- has so seldom appeared on western screens. The film opens in New York City on January 10 and in Los Angeles on January 17 at the ...

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  • Leonard Maltin
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    The Lion Roars—For Short Subjects

    ("Gypsy Night"—1935) Warner Archive has made my life a bit easier by collecting 36 MGM one- and two-reelers in a three-disc DVD set called "Classic Shorts from the Dream Factory Volume 2 (1929-1946)."

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  • Caryn James
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    For 'Downton' Obsessives: Dan Stevens in 'Summer in February'

    As I said in my review of Downton Abbey, Season 4, we all miss Matthew, and since Julian Fellowes has made it clear that the character is not coming back as a ghost, Summer in February is the closest we're likely to come to a post-death sighting.

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  • Indiewire
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    Review: Bryan Cranston Follows Up ‘Breaking Bad’ As Blind Criminal In 'Cold Comes the Night'

    Chun treats the material with a sophistication that brings its pulpy scenario down to earth. Not even Bryan Cranston with a cheap Slavic accent can stop him.

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    Why 2013 Was a Banner Year For Documentaries, And 2014 Looks Even Better

    "A banner year for documentary" is what you’re likely to have read in more than a few year-end overviews in recent weeks, and not without reason: 2013 was a great year for documentaries, though also one that drew attention to the ways in which our (mis)use of that word tends to shape and shift our e...

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