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Movie Reviews

  • Women and Hollywood
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    Union Square - directed by Nancy Savoca, written by Nancy Savoca and Mary Tobler

    A set of sisters in crisis are on display in Nancy Savoca's long awaited return - Union Square. Mira Sorvino plays Lucy, a hot mess of a woman who seems bizarrely out of control for an adult. She's one of those characters that when you see her first on screen you cringe -- she wears complete...

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  • Indiewire
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  • Leonard Maltin
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    Ice Age: Continental Drift—movie review

    I was charmed, and pleasantly surprised, when I saw 'Ice Age' a decade ago. Its enormous success has prompted multiple sequels, which have made a ton of money around the world (with Fox cannily hiring well-known actors and comedians to provide the voices for their individual countries). This money m...

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  • Thompson on Hollywood
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    Weekend Preview: 'Trishna,' 'Farewell My Queen,' 'Alps' & 'The Imposter' Join 'Ice Age' At the Box Office

    With Comic-Con occupying the fanboys, there's a great selection of limited-release indie and foreign films arriving this weekend to satiate hungry cinephiles...

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  • The Playlist
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    Review: Michael Winterbottom's 'Trishna' Is Picturesque, But Entirely Lacking In Passion

    Over his career, Michael Winterbottom has hopped frequently from genre to genre, from subject matter to subject matter, rarely covering the same territory twice. But one of the few things he has returned to is the work of Thomas Hardy. The late 19th century British author has so far inspired two of ...

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  • Indiewire
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    Out This Week: 12 Reviews of New Indie Releases

    This weekly column is intended to provide reviews of nearly every new indie release, including films on VOD. Specifics release dates and locations follow each review.

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  • The Playlist
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    Review: Daniel Espinosa's 'Easy Money' An Absorbing Crime Tale With Electricity Pumping Through Its Veins

    Before we even get into a review of the twisty Swedish thriller, "Snabba Cash," retitled "Easy Money" for North American audiences by The Weinstein Company who has picked it up for U.S. release, one has to to first note its trajectory.

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  • The Playlist
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    Comic-Con '12 Review: 'Dredd' A Visually Strong, Engaging But Ultimately Empty Cinematic Experience

    Remakes and reboots always seem to demand comparisons to their predecessors, but “Dredd” evokes a slightly different relationship: What Zack Snyder’s “Dawn of the Dead” is to George Romero’s original, Pete Travis’ film is to, no, not Danny Cannon’s 1995 film “Judge Dredd,” but Paul Verhoeven’s “Robo...

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  • Leonard Maltin
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    Raymond Scott Back On The Big Screen

    If you grew up watching Warner Bros. cartoons, you know the music of Raymond Scott, even if his name isn’t familiar. He was an innovative musician and composer whose propulsive, syncopated piece “Powerhouse” was adopted by Warner’s music director Carl Stalling as a recurring theme in his Looney Tune...

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  • The Playlist
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    Review: 'Drunkboat' Features A Compelling One-Two Acting Punch In A Weightless Stagebound Adaptation

    At the start of “Drunkboat,” Mort Gleason (John Malkovich) is abandoned at the bottom of a bottle, reduced to a near-catatonic stupor. He’s a forty-something drunken layabout who’ll either be seen wearing a mop on his bald pate for laughs, or lying on the floor passed out as ...

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