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Movie Reviews

  • Indiewire
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    With 'Only Lovers Left Alive,' Jim Jarmusch Caps a Great Year For American Auteurs in Cannes

    If the fashionable bloodsuckers of the "Twilight" movies traded their frantic stares for expressions of ennui, they might have something in common with Adam (Tom Hiddleston) and Eve (Tilda Swinton), the retro cool vampires at the heart of Jim Jarmusch's "Only Lovers Left Alive." But that could never...

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  • The Playlist
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    Cannes Review: Droll, Louche & Languidly Playful 'Only Lovers Left Alive' Is Jarmusch At His Most Enjoyable & Accessible

    From the very first opening titles, written in a Germanic font that immediately conjures everything from “Triumph of the Will” to images of big-busted ladies screaming in campy close-up in 1970s cheapie horrors (it may be the only time in Cannes that a film got a big laugh for a typeface) it’s perfe...

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  • The Playlist
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    Cannes Review: J.C. Chandor Puts Robert Redford Through Watery Hell In Bruising, Formally Rigorous 'All Is Lost'

    It almost feels like JC Chandor is showing off. In what is only his second feature film, after the chalk-and-cheese financial collapse movie “Margin Call," he sets himself a kind of exercise in filmmaking rigor, in the bare-bones, one-man survival-at-sea story “All Is Lost” and delivers. From the st...

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  • Thompson on Hollywood
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    Whither Women Film Critics? Study Says 78% of Film Critics Are Male, 22% Female

    Yet another fascinating if depressing report from Martha M. Lauzen looks at, among other things, the percentages of women film critics as compared to their male counterparts. The numbers don't lie: In Spring of 2013 (i.e. right now), 78% of top critics (as defined by guidelines laid out by Rotten To...

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  • Thompson on Hollywood
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    Cannes Winner 'Blue Is the Warmest Color' Review Roundup: Epic, Explosively Sexy Lesbian Romance

    UPDATE: "Blue Is the Warmest Color" has won the Palme d'Or. Review roundup below.

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  • Thompson on Hollywood
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    Cannes Review and Roundup: James Gray's 'The Immigrant' vs. 'Nebraska'

    A pair of films addressing very different aspects of the American experience, and set 92 years apart, have screened in Competition over the last couple of days: Alexander Payne’s "Nebraska" and James Gray’s "The Immigrant." Sad to say, I had expectations for both but didn’t engage with either, altho...

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  • Shadow and Act
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    Review: 'Fast & Furious 6' Is… Well… Loud and Crazy... and That’s Mostly A Good Thing (Opens Today)

    "The Fast and the Furious" series is one of the few where I have little problem shutting my brain off for two hours. It’s at least based in some sort of reality, there are no superheroes, although Vin Diesel can certainly withstand a lot of pain, and the supernatural isn’t a possibility. At this poi...

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  • Women and Hollywood
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    Fill The Void- Written and Directed by Rama Burshtein

    I saw Fill the Void back in September at the Toronto Film Festival. It's been making its way around the country on the film festival circuit before opening in limited release this weekend.

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  • Indiewire
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    Roman Polanski's Rarely Seen Formula 1 Racing Doc 'Weekend of a Champion' Is Restored and Updated at Cannes

    In May 1971, Roman Polanski went to Monaco with documentarian Frank Simon to shadow the world's greatest Formula 1 racer, Jackie Stewart. The result, a personable chronicle in which Polanski appears on camera casually chatting with Simon and hearing about his craft, never received a proper U.S. rele...

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  • The Playlist
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    Review: Visual Grandeur Of ‘Epic’ Undone By Undercooked, Rote Story

    Let’s get one thing out of the way: “Epic,” the latest from Blue Sky Studios (the “Ice Age” films, “Robots” “Horton Hears a Who” and “Rio”) is at times breathtakingly beautiful. The Chris Wedge-helmed feature presents a visual step-up for Blue Sky and we are luckier for it. The film features a rich ...

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