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Movie Reviews

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    Cannes Review: 'Fruitvale Station' Recounts A Tragic True-Life Story With Good Performances & Intentions, But Little Subtlety

    There are now a few stories surrounding Ryan Coogler’s “Fruitvale Station,” which screened in Cannes yesterday. There’s the “Fruitvale Station” that as a debut, passion-project feature from an untested filmmaker, was plucked from obscurity, championed, notably by Forest Whitaker, and put into produc...

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    Cannes: How Asghar Farhadi's 'The Past' Confirms His Mastery of Human Behavior

    Cannes: How Asghar Farhadi's 'The Past' Confirms His Mastery of Human Behavior

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    Cannes: Is Ari Folman's 'The Congress' The Most Anti-Hollywood Movie Ever Made?

    "A genius designer on an acid trip" is the way one character describes the futuristic animated universe of Ari Folman's "The Congress," one of the most startling uses of the medium to come along in years.

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    Cannes Review: Asghar Farhadi's 'The Past' A Mostly Powerful Look At The Messiness Of Stasis

    When "The Past" opens, we see a couple communicating through a thick pane of glass at an airport. They can't hear each other, but through gestures and mouthed words, they can get the gist of what the other is saying, but between them is an immovable object that prevents a full understanding of what ...

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  • Thompson on Hollywood
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    Cannes Virgin Festival Diary 1: From 'Gatsby' to 'Heli' and Back

    The first indication that things at Cannes weren’t going to be quite as I imagined them to be – red carpet and champagne, rinse and repeat – was the crush trying to get on the express bus from the Nice airport. The bus was 20 minutes late in arriving from Cannes, and there was a lot of jockeying go...

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    Review: Kim Ki-Duk's Golden Lion-Winning 'Pieta' Is A Bruising Mother-Son Relationship Drama That Ultimately Disappoints

    With only a few days left of the Venice Film Festival, no clear front-runner has emerged to pick up the Golden Lion. “The Master” is probably the best-received film to date, but festival juries often shy away from the most obvious pick. “To The Wonder,” “At Any Price” and “Fill The Void” all have th...

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    Cannes Review: Being 'Young & Beautiful' Isn't Easy In Francois Ozon's Latest

    "No one's serious at seventeen," goes a line from Rimbaud's poem of the same name, and it's just one of a handful of confused messages in Francois Ozon's "Jeune Et Jolie (Young And Beautiful)," a flesh-filled exploration of teenage sexuality. Ozon, no stranger to provocative imagery, takes off the r...

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    Cannes: Teens Living Dangerously in Sofia Coppola's 'The Bling Ring' and Francois Ozon's 'Young and Beautiful'

    Teen life is both among the prevalent focuses of contemporary cinema and a topic most readily understood. Mainstream teen movies tend to resemble the teen naivete rather than exploring the more complicated world that surrounds it. Made outside that system, Sofia Coppola's "The Bling Ring" and Franco...

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    Cannes Review: Sofia Coppola's 'The Bling Ring' A Mostly Empty Exercise In Excess

    American cinema seems preoccupied with the emptiness of excess, at least in the first half of 2013. Baz Luhrmann luxuriates in the meaningless wealth of "The Great Gatsby," while Harmony Korine put his own twisted spin on the dark soul of the American dream in "Spring Breakers." And now comes Sofia ...

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    Cannes Review: Ari Folman's Part-Animated 'The Congress' Is Overstuffed And Overwritten, But Sort Of Fascinating

    Ari Folman's "The Congress" aka "Robin Wright at The Congress" aka "Reviewer's Nightmare" (last title mine) opens the director's fortnight at Cannes this evening and screened for a group of alternately beguiled and baffled press this morning. Evoking Miyazaki and perhaps on-form Gilliam in its best ...

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