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Movie Reviews

  • Indiewire
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    Cannes Review: 'Behind the Candelabra' is Steven Soderbergh's Glamorous, Garish and Great Goodbye (For Now)

    "Behind the Candelabra," which premiered at Cannes today before heading to HBO on Sunday, May 26th at 9pm, is Steven Soderbergh's virtuoso swan song to filmmaking (at least for now), his final feature before stopping to focus on his painting.

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    Cannes: Family Problems Dominate In Clio Barnard's 'The Selfish Giant' And Kore-eda's 'Like Father Like Son,' But 'Borgman' Makes Them Scary

    Movies for families tend to embrace the value of sticking together. However, movies about families -- at least those with a certain amount of gall -- assail that very same principle. At the Cannes Film Festival, which attracts stories from around the world, the notion of familial stability is eviden...

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  • The Playlist
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    Cannes Review: Steven Soderbergh's 'Behind The Candelabra' Puts Dazzling Entertainment On Top Of Toxic Relationship

    It's almost unfair how easy Steven Soderbergh makes it look. As the filmmaker heads into his hiatus from movie-making, he's spent the few last years dipping between high grade entertainment ("Magic Mike") and accomplished genre films ("Side Effects," "Haywire") and for his goodbye, he's more or less...

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  • Thompson on Hollywood
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    Review: Rama Burshtein's Luminous 'Fill the Void' Looks at the Strange, Painful Romance of Choice

    Rama Burshtein’s “Fill the Void,” Israel’s official Oscar entry earlier this year, is set in the Haredi Orthodox Jewish community in Tel Aviv. It focuses on one young woman’s turbulent experiences with traditional matchmaking -- a custom which, it should be noted, differs from arranged marriage, and...

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  • Leonard Maltin
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    In Search Of ‘The Searchers’

    Glenn Frankel’s "The Searchers: The Making of an American Legend" (Bloomsbury) has received more attention from the mainstream press than the average film book, and for good reason: it is an exceptional piece of writing and research.

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  • Thompson on Hollywood
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    Cannes Film Fest Diary 3: Seduced by 'The Past,' Abandoned by a Brazilian Beach Bikini Party

    At 8:30am Friday morning, I got it. What Cannes is truly all about. You get something in theory, and then there’s the moment you get it through experience. Asghar Farhadi’s “The Past” had just begun, and I thought back to what a friend said was the real reason to attend Cannes: because you see the b...

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  • The Playlist
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    Cannes Review: The Rich Also Cry In Valeria Bruni-Tedeschi’s 'A Castle In Italy'

    It’s hard not to read a degree of self-justification into Valeria Bruni-Tedeschi’s (mostly) French-language comedy-drama “A Castle In Italy,” so we’re not really going to try. We took notice of the film in advance mainly because it made headlines as the Cannes Competition’s sole entry from a female ...

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  • Indiewire
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  • Indiewire
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    Cannes Review: Martian Zombies and Liev Schreiber Can't Quite Salvage 'Last Days on Mars'

    Mars has been a frequent setting for science fiction cinema, being an object of wonder and mystery just barely within our reach, but the appeal rarely translates to the screen. From "Ghosts of Mars" to "Mission on Mars," movies set on the red planet tend come across as icily as the desolate terrain....

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  • The Playlist
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    Cannes Review: Admirable Ambition Isn't Enough For James Franco's 'As I Lay Dying'

    To be certain, James Franco has never been lacking in ambition. From the meta quasi-doc "Francophrenia (Or Don't Kill Me, I Know Where the Baby Is)" to the Hart Crane biopic "The Broken Tower" to the kinky "Interior. Leather Bar." to the primate co-starring "The Ape," Franco has leapt into filmmakin...

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