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Movie Reviews

  • Indiewire
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    Telluride Review: How Israeli Intelligence Doc 'Gatekeepers' Appeals to Both Israeli and Palestinian Concerns

    "The Gatekeepers," a startling exposé of Israeli intelligence agency Shin Bet, delivers an unequivocal indictment. The handful of former Shin Bet heads who deliver candid accounts of their reasoning for various destructive assaults in the constant horn-locking with their Palestinian...

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    Telluride Review: Dennis Quaid, Zac Efron and a Tense Final Act Nearly Salvage Ramin Bahrani's Middling 'At Any Price'

    "Expand or die" is the mantra spouted by farmers in Ramin Bahrani's "At Any Price," a menacing slogan that reflects the explosion of the cornfield market into a $2 trillion industry. It also provides a reminder of the movie's production conditions when compared to everyth...

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  • Thompson on Hollywood
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    Telluride Brody Diary 2: A Rocky Mountain Brunch, A Wedding and Affleck's 'Argo'

    In retrospect, my first full film festival day at Telluride, though utterly delightful, sounds more like I’m attending a food festival than a film one.

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  • The Playlist
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    Venice Review: 'Fill The Void' An Orthodox Jewish Romance Caught Awkwardly Between Comedy & Melodrama

    After a Cannes Film Festival which attracted criticism for including no female directors whatsoever, new Venice Film Festival head Alberto Barbera seems to be having bit of a dig at his Gallic rivals with his first year in charge. In the official selection alone, there are four female directors or c...

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    TELLURIDE REVIEW: Star-Studded Marilyn Monroe Doc 'Love, Marilyn' Effectively Deconstructs an Iconic Legacy

    TELLURIDE REVIEW: Star-Studded Marilyn Monroe Doc 'Love, Marilyn' Effectively Deconstructs an Iconic Legacy

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  • The Playlist
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    Venice Review: Terrence Malick's 'To The Wonder' Is A Raw & Heartfelt Film Of Loss And Longing

    For a man not known for being prolific, an eighteen-month gap between Terrence Malick’s “The Tree of Life” (the filmmaker’s first film in five years) and his latest, “To the Wonder” (only his sixth in forty years) isn’t just unprecedented, it’s positively mind-boggling, especially given that the dir...

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  • The Playlist
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    Telluride Review: Endearing & Buoyant ‘Frances Ha’ Marks A Terrific Gear Shift For Director Noah Baumbach

    Loose, limber and driven by a fierce energy and staccato/pause rhythm we haven't seen previously from this filmmaker, Noah Baumbach's sublime "Frances Ha" is a fresh and vivacious near-reinvention of the director/writer's comedic milieu. An enchanting riff on friendship and the late-20-something rig...

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    Charming 'Frances Ha' Reteams Greta Gerwig and Noah Baumbach For a Deceptively Simple Portrait of Post-College Woe

    A slight and largely charming portrait of post-college woes, Noah Baumbach's deceptively simple "Frances Ha" is breezier than any of his previous ventures and indeed features considerably less ambition than his earlier work. However, that's hardly an indictment for a movie so eager...

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  • The Playlist
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    Telluride Review: Intimate & Devastating ‘Ginger & Rosa’ Features A Transformative Elle Fanning Performance

    Lovely and devastating, challenging yet worthwhile, Sally Potter's "Ginger & Rosa" may be the English filmmaker's best since "Orlando," and perhaps her most accessible to date. The intimate and sensual picture also features yet another terrific performance by 14-year-old Elle Fanning, who is quickly...

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  • Thompson on Hollywood
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    VENICE REVIEW: Anderson's 'The Master' Impresses and Befuddles; Phoenix & Hoffman Both Outstanding

    What has Paul Thomas Anderson wrought with “The Master”? A film that’s majestic and masterly if not a masterpiece, which draws sustenance from masters of the past, filmic, literary and artistic, and is pinioned by two colossal characters as it recounts the early, stuttering formation of a Scientolog...

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