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Movie Reviews

  • Indiewire
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    CANNES REVIEW: Ben Wheatley's 'Sightseers' Finds the Romance, and His Voice, in a Horror-Comedy

    British filmmaker Ben Wheatley has earned a following on the genre film festival circuit for a pair of distinctive movies with two very different moods. His 2009 debut "Down Terrace" followed a family of criminals through a series of amusing misadventures, suggesting Wheatley's procliv...

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  • Indiewire
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    Carlos Reygadas' 'Post Tenebras Lux' Is a Mess of Half-Baked Ideas

    A key distinction between Mexican director Carlos Reygadas' completely baffling "Post Tenebras Lux" and his previous feature "Silent Light" comes from comparing their opening sequences. "Silent Light" begins with a supremely lyrical shot of natural imagery slowly fa...

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  • Leonard Maltin
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    John Huston’s “LIGHT” Online

    Striking a blow for film preservation, and widespread access to films once they are properly restored, the National Film Preservation Foundation is now streaming John Huston’s long-suppressed 1946 documentary 'Let There Be Light' on its website.

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  • Criticwire
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    Criticwire Picks: Festival Hits 'Moonrise Kingdom' and 'Oslo, August' Top New Releases

    With many moviegoers tuned to the news from Cannes this week, it's a light time for number of new U.S. releases. Appropriately, two former Cannes films are tied for the top score among our Criticwire members with B+ averages -- one that took the fast track to theaters and another that stopp...

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  • The Playlist
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    Cannes Review: Ben Wheatley's 'Sightseers' - Or, "Natural Born Campers" - Is A Black-Comedy Holiday Hoot

    After "Down Terrace" and "Kill List," midnight-movie manqués and buffs in the know were wondering what director Ben Wheatley would do next; the answer is, apparently, make you laugh until you sound like a hole in the side of an airplane. "Sightseers," starring and written by Steve Oram and Alice Low...

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  • The Playlist
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    Cannes Review: Carlos Reygadas’ 'Post Tenebras Lux' Is Singularly Strange, But Not Especially Impressive

    When discussing Carlos Reygadas’ “Post Tenebras Lux,” comparisons to “The Tree of Life” come easily, though Reygadas’s film is as far from a paean to God as it gets. In fact, while Malick’s movie has a sweeping, hands-on perspective on enlightenment and God, Reygadas’ (“Silent Light,” “Battle in Hea...

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  • The Playlist
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    Review: 'Oslo, August 31st' A Tender, Bleak Search For Hope

    A reprint of of our review from the 2011 Cannes Film Festival.

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  • Indiewire
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    CANNES REVIEW: Why Walter Salles' 'On the Road' Adaptation Is Better Than You Think

    Red flags immediately go up whenever a filmmaker embarks on adapting a beloved classic. Walter Salles' long-gestating big screen treatment of "On the Road" provides the latest example: Years in development, the nearly-two-and-a-half hour treatment of Jack Kerouac's seminal novel of...

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  • Thompson on Hollywood
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    Cannes 2012: Walter Salles and Sprawling Cast Recreate Jack Kerouac's 'On the Road,' Which is Cruising for an NC-17

    "On the Road" is a two hour and 17-minute recreation of Jack Kerouac's seminal 1957 novel. It's a serious thoughtful gorgeously mounted period art film and American travelogue, carefully researched and painstakingly crafted. Walter Salles and writer Jose Rivera, the team behind &qu...

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  • Thompson on Hollywood
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    Cannes Virgin Diary 3: Critics' Week Yields Breakouts 'Aqui y Alla,' 'Sofia's Last Ambulance'

    This is the best film yet to screen at Cannes' Critics' Week, confidently made without a single wasted scene. The quotidian reality of Guerrero village life is realized with lyricism and lack of sentimentality.

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