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Movie Reviews

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    Review: At Its Best, Harmless 'Hunky Dory' Is Just That

    It’s the summer of 1976, and between a conservative school administration and an unrelenting drought, things are beyond dry for Wales’ scrappier teens. It’s little wonder that they flock to the more permissive Miss Mae (Minnie Driver) and her glam-rock interpretation of Shakespeare’s "The Tempest" f...

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    Review: 'Eden' Is A Gripping Sex Slavery Drama That Isn't As Dour As It Sounds

    Often the problem when making an 'issue' movie, wherein you tackle some far-reaching social, systemic, or religious injustice, is that scope often becomes too burdensome, with the given topic often begging for thoughtful, intimate conversation and not the broad strokes that cinema offers. The best i...

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    Review: Pre-'Les Mis,' Minnie Driver & Gang Sing Live in Welsh High School Musical 'Hunky Dory'

    Welsh filmmaker Marc Evans' elegiac, semi-autobiographical high school musical "Hunky Dory," which played at SXSW last year after its UK release, is finally opening in NY and LA theaters and on VOD March 22 via distrib Variance. The delightful comedy written by Laurence Coriat, set in the sweltering...

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    'Starbuck' Director Ken Scott Not First to Remake His Own Movie

    That science would eventually be rendering men obsolete is something Aldous Huxley saw coming; that fatherhood would be rendered slightly hysterical is something he apparently sensed as well. In fact, the extreme patrimony of Patrick Huard’s David Wozniak has been declared found funny enough that “S...

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    Review Roundup: 'Phil Spector' a Sinfully Entertaining Treat Starring Wigged-Out Al Pacino

    HBO's "Phil Spector" (March 24) directed by David Mamet and starring a tantalizingly wigged-out Al Pacino and Helen Mirren, is mostly receiving praise from critics. Pacino's performance is being touted as "compelling, both despite and because of the wigs," while Mamet's direction is called "sinfully...

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    Review: 'Olympus Has Fallen' A Thin, High-Concept Actioner Without Much Bite

    The new big budget, bullet-riddled actioner "Olympus Has Fallen" has a premise so painfully obvious that it's amazing nobody thought of it before, especially in the creatively bankrupt atmosphere of Hollywood. The plot is essentially "Die Hard" in the White House, with a similarly smart-ass loner (G...

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    Review: ‘New World’ A Familiar, But Satisfying & Well-Executed ‘The Departed’-Esque Thriller

    On the page, the set up for Park Hoon Jeong’s “New World” is almost a cliché, the story pivoting around a cop caught in deep cover in the midst of a crime syndicate, looking for a way to the end assignment, only for forces on both sides of the law to squeeze him to a breaking point. In Hollywood, bo...

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    Review: 'Gimme The Loot' Paints An Affectionate Portrait Of The Foibles Of Inner City Youth

    The streets of New York City are alive in the SXSW hit "Gimme The Loot," the endearing and charmingly unpretentious first feature from director Adam Leon. The film seems to move to the beat of jangling spray paint cans, particularly those in the deep pockets of Malcolm and Sofia. These two high scho...

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    Review: Animated 'The Croods' Sacrifices Story & Character On Altar Of Impressive 3D Visuals

    We suspect our reaction may be out of step with the general consensus of press at our Berlin Film Festival screening of the "The Croods" (where we first saw the film back in February) if the guffaws and applause were anything to go by, but really that had us kind of baffled. The DreamWorks film, fro...

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    Now and Then: Hitchcock's Bad-Ass '40s Brunettes Were the Lead-Up to Those '50s Icy Blondes

    My favorite words in the movies come from the dusky, sultry opening minutes of "Rear Window" (1954), as Grace Kelly's New York socialite glides through L.B. Jefferies' (James Stewart) dim apartment, switching on the lights. "From top to bottom," she announces herself. "Lisa." Flick. "Carol." Flick. ...

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