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Movie Reviews

  • Thompson on Hollywood
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    Cannes Virgin Diary 3: Critics' Week Yields Breakouts 'Aqui y Alla,' 'Sofia's Last Ambulance'

    This is the best film yet to screen at Cannes' Critics' Week, confidently made without a single wasted scene. The quotidian reality of Guerrero village life is realized with lyricism and lack of sentimentality.

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  • The Playlist
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    Cannes Review: Beat Classic 'On The Road' Comes To The Screen In Lustrous-But-Long-Winded Fashion

    Jack Kerouac's "On the Road" has been heralded for decades: an important novel, a cultural signifier, a sociological landmark, a cracking good read. It's also been considered "unfilmable" -- but now Walter Salles ("The Motorcycle Diaries," "Dark Water") brings the novel to the screen, and "The Motor...

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    CANNES Mid-Festival Dispatch: Forget About the Palme D'Or, Some of the Most Interesting Movies Are the Mixed Bags

    Last week at Cannes I encountered a familiar problem: standing in line for a crowded screening and getting turned away at the door. Within hours, I heard that a consensus had been reached: The new Michel Gondry film was terrible. "The We and the I," the opening-night selection of the Direc...

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    Leos Carax Makes a Nutty Comeback With 'Holy Motors,' But Don't Expect Easy Answers

    "Holy Motors" is balls-to-the-wall crazy, beautiful and unbelievably strange. This is a movie about movies, life, death, the human condition, monkeys, music, chaos, suicide, whatever.

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  • The Playlist
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    Cannes Review: 'Me And You' A Middling Return For Bernardo Bertolucci

    It's been nine years since the last feature film from Bernardo Bertolucci, and for a moment there, it looked like "The Dreamers" would be the final effort from the currently wheelchair-bound filmmaker. And while we're glad he's re-energized and back to making movies, unfortunately, "Me And You" will...

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    'Men In Black III' Reviews: Better Than The Second, But Still Irrelevant

    The arrival of "Men in Black III" on May 25 is exciting mostly because Will Smith hasn't been on the big screen since 2008's "Seven Pounds." Bill Desowitz also finds it's 3-D a revelation for the comedy genre...

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  • The Playlist
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    Cannes Review: It's Isabelle Huppert Times Three In Hong Sang-soo's Light 'In Another Country'

    Heaviness tends to dominate the Cannes Film Festival, and this year is no different. Death ("Amour"), doubt ("The Hunt"), losing limbs ("Rust And Bone") and religious fanaticism ("Beyond The Hills") are just some of themes that have cropped up so far as we get to the halfway point of the fest. And w...

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    Now and Then: The False Promise of Kiarostami's 'Certified Copy'

    Iranian director Abbas Kiarostami's 2010 Cannes entry "Certified Copy," which won Juliette Binoche the festival's Best Actress prize, is out today on Blu-ray and DVD from the Criterion Collection. Given that he debuted his latest effort on the Croisette this week, the timing is felicitous. I wish I ...

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  • The Playlist
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    Cannes Review: Brilliant & Angry 'Killing Them Softly' Is The Anti-Thriller For Our Times

    "What is that American promise? It's a promise that says each of us has the freedom to make of our own lives what we will, but that we also have obligations to treat each other with dignity and respect," Barack Obama said at the Democratic National Convention in 2008. And that section of the speech ...

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  • Indiewire
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    CANNES REVIEW: Brad Pitt is the Cynical Voice of Reason in Andrew Dominik's Enjoyable Anti-Capitalist 'Killing Them Softly'

    CANNES REVIEW: Brad Pitt is the Cynical Voice of Reason in Andrew Dominik's Enjoyable Anti-Capitalist 'Killing Them Softly'

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