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Movie Reviews

  • The Playlist
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    Review: Age & Illness Test Love In Michael Haneke's Unflinching 'Amour'

    Michael Haneke makes it clear from the opening of the film exactly where he's going in "Amour." Kicking off with a literal bang, a team of police officers force open the door of a flat in France, and with masks over their mouths, they walk around the apartment, open the windows and finally find what...

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    Review: Rock 'N' Roll Dreams Are Fleeting & Familiar In David Chase's Uneven 'Not Fade Away'

    For a film that’s ostensibly set to the vibrant pulse of early ‘60s rock 'n' roll and blues -- The Rolling Stones, the early Beatles, Bo Diddley, etc. -- David Chase’s directorial debut, “Not Fade Away,” sure has a curious, circuitous and eventually long-winded tempo. Set in 1964, just a few months ...

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  • Thompson on Hollywood
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    Garcia Bernal and Larrain Just Say 'No' EXCLUSIVE VIDEO

    Oscar-shortlisted "No," a hit on the festival circuit, comes from Chilean director Pablo Larraín and Mexican producer-star Gael García Bernal, who collaborated on a novel recreation of the 1988 ousting of Chilean dictator Augusto Pinochet after 15 years of oppression. Sony Pictures Classics acquired...

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    Review: Overwrought 'The Impossible' Drowns In A Sea Of Melodrama

    If "The Impossible" moves viewers to do anything, it may be to upgrade their life insurance policy to cover injuries due to tsunami. Following a wealthy family who encounter undeniable hardship, they are also blessed with the kind of luck and good fortune that only happens in the movies (or to peopl...

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    Review: 'Monsters, Inc.' In 3D Is Just As Much Fun As It Was The First Time Around

    "Monsters, Inc." represented a lot of firsts for the Pixar animation studio. Released in the fall of 2001, it was the first film without the direct supervision of John Lasseter, who had directed the three previous films for the studio and remains its chief creative force. It was also the first of th...

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  • Indiewire
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    Review: Is It Possible to Enjoy 'Les Misérables' If You Don't Know the Music?

    While impressive in parts for its epic sweep, the movie is routinely marred by blatantly cheesy, self-serious flourishes, uneven performances and misguided attempts to puncture the theatricality with superfluous cinematic devices.

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  • Leonard Maltin
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    THIS IS 40

    Fearless, funny, sprawling, messy, vulgar and honest: those are just a few adjectives that describe Judd Apatow’s 'This Is 40'. The film earns its stripes as a raunchy, R-rated comedy even before the main title appears onscreen.

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  • Leonard Maltin
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    JACK REACHER

    'Jack Reacher' is ridiculous…and exciting…and funny…and cheesy. It’s also a great vehicle for Tom Cruise, even though readers of Lee Child’s best-selling novels are complaining that he doesn’t resemble the author’s description of that character.

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  • Leonard Maltin
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    THE IMPOSSIBLE

    Unlike some films that have become critics’ darlings, 'The Impossible' has no pretensions. It isn’t edgy and I don’t think it has a hidden subtext. It’s just a beautifully told, enormously moving story of a family’s experiences during and after the 2004 tsunami...

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  • Leonard Maltin
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    ON THE ROAD

    Few books have been as influential and enduring as Jack Kerouac’s 'On the Road', the voice of the beat generation, set in the late 1940s and early '50s.

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