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Movie Reviews

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    Review: 'Gimme The Loot' Paints An Affectionate Portrait Of The Foibles Of Inner City Youth

    The streets of New York City are alive in the SXSW hit "Gimme The Loot," the endearing and charmingly unpretentious first feature from director Adam Leon. The film seems to move to the beat of jangling spray paint cans, particularly those in the deep pockets of Malcolm and Sofia. These two high scho...

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    Review: Animated 'The Croods' Sacrifices Story & Character On Altar Of Impressive 3D Visuals

    We suspect our reaction may be out of step with the general consensus of press at our Berlin Film Festival screening of the "The Croods" (where we first saw the film back in February) if the guffaws and applause were anything to go by, but really that had us kind of baffled. The DreamWorks film, fro...

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    Now and Then: Hitchcock's Bad-Ass '40s Brunettes Were the Lead-Up to Those '50s Icy Blondes

    My favorite words in the movies come from the dusky, sultry opening minutes of "Rear Window" (1954), as Grace Kelly's New York socialite glides through L.B. Jefferies' (James Stewart) dim apartment, switching on the lights. "From top to bottom," she announces herself. "Lisa." Flick. "Carol." Flick. ...

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    Review: 'Come Out And Play' Is A Xeroxed Horror Remake Disguising A New Director's Vanity Plate

    Who in the hell is Makinov? The single-named director, who has appeared online in masked garb speaking power to his vague filmmaking manifesto, has placed his name all over “Come Out And Play,” an overly respectful remake of the infamous '70s cult chiller “Who Can Kill A Child?” The film opens with ...

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    5 Films To Watch From The 2013 New Directors/New Films Series

    A joint product of the Film Society of Lincoln Center and the Museum of Modern Art for the last 42 years, New Directors/New Films showcases a wide range of first, second and in some cases third features from directors at early stages of their careers.

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    Review: 'Admission' With Tina Fey & Paul Rudd A Low-Stakes Drama Mixed With Toothless Social Satire

    Some people don’t seem to realize that the type of stories being told in film needs to change. Small-scale tales of middlebrow intimacy and minor dramatic conflict used to have a home in the cinemas, where they would play to audiences who didn’t have a surplus of entertainment options. Today, the pr...

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    SXSW '13 Review: 'The Retrieval' is A Finely Crafted and Evocative Film

    SXSW '13 Review: 'The Retrieval' is A Finely Crafted and Evocative Film

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    Penske's Moves: As Daily Variety Prints Last Edition, Adds Critic Foundas, Reduces Movieline

    Variety lovers are feeling mixed emotions. On the one hand, Penske Media Corp CEO Jay Penske is making changes that were long overdue. He has pulled down the firewall, modernized the website, added a troika of editors--LA Times import Claudia Eller (film), and Variety's Cynthia Littleton (TV) and An...

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    SXSW Review: 'Cheap Thrills' Is Like 'The Hangover' Taken To An Absurdly Nihilistic Degree

    It was only a matter of time before the recent hyper-raunchy comedy style exemplified by "The Hangover," would take a dark, seedily indie-movie turn. And that's what "Cheap Thrills," which was one of the few movies to acquire distribution at the South by Southwest Film Festival, really is: it's the ...

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