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Movie Reviews

  • The Playlist
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    Review: Michael Winterbottom's 'Trishna' Is Picturesque, But Entirely Lacking In Passion

    Over his career, Michael Winterbottom has hopped frequently from genre to genre, from subject matter to subject matter, rarely covering the same territory twice. But one of the few things he has returned to is the work of Thomas Hardy. The late 19th century British author has so far inspired two of ...

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  • Indiewire
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    Out This Week: 12 Reviews of New Indie Releases

    This weekly column is intended to provide reviews of nearly every new indie release, including films on VOD. Specifics release dates and locations follow each review.

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    Review: Daniel Espinosa's 'Easy Money' An Absorbing Crime Tale With Electricity Pumping Through Its Veins

    Before we even get into a review of the twisty Swedish thriller, "Snabba Cash," retitled "Easy Money" for North American audiences by The Weinstein Company who has picked it up for U.S. release, one has to to first note its trajectory.

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    Comic-Con '12 Review: 'Dredd' A Visually Strong, Engaging But Ultimately Empty Cinematic Experience

    Remakes and reboots always seem to demand comparisons to their predecessors, but “Dredd” evokes a slightly different relationship: What Zack Snyder’s “Dawn of the Dead” is to George Romero’s original, Pete Travis’ film is to, no, not Danny Cannon’s 1995 film “Judge Dredd,” but Paul Verhoeven’s “Robo...

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  • Leonard Maltin
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    Raymond Scott Back On The Big Screen

    If you grew up watching Warner Bros. cartoons, you know the music of Raymond Scott, even if his name isn’t familiar. He was an innovative musician and composer whose propulsive, syncopated piece “Powerhouse” was adopted by Warner’s music director Carl Stalling as a recurring theme in his Looney Tune...

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    Review: 'Drunkboat' Features A Compelling One-Two Acting Punch In A Weightless Stagebound Adaptation

    At the start of “Drunkboat,” Mort Gleason (John Malkovich) is abandoned at the bottom of a bottle, reduced to a near-catatonic stupor. He’s a forty-something drunken layabout who’ll either be seen wearing a mop on his bald pate for laughs, or lying on the floor passed out as ...

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    Review: 'The Imposter' A Remarkable & Entertaining Tale About The Illusion Of Truth

    It isn’t often that audiences will feel inclined to believe the word of a proven liar over a family who suffered as a result of his dishonesty, but “The Imposter” achieves that unusual feat. A documentary about a family stricken with tragedy that unwittingly takes in a con artist, ...

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    Review: 'Red Lights' Invites You To Stop, Look & Listen

    What you see, you can’t believe. What you can’t understand, though, can ultimately be explained. This is the modus operandi for Margaret Matheson (Sigourney Weaver) and assistant Tom Buckley (Cillian Murphy), parapsychologists primarily interested in debunking supernatural phenomena. “When I see hoo...

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    Review: 'Ice Age: Continental Drift' Is Pleasurably Rudderless

    The "Ice Age" franchise is like the "Shrek" series of Blue Sky Studios (a kind of mini-Pixar based in suburban Connecticut) – a new entry comes out every couple of years, usually to diminishing returns (creatively) but tons of box office. The last one, 2009's deliriously dull "Ice Age: Dawn of the D...

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  • Criticwire
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    Criticwire Picks: 'The Imposter' Sneaks to the Top

    After playing the festival circuit since Sundance, Bart Layton's stylized documentary ventures its way to theaters as this week's Criticwire Pick.

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