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Movie Reviews

  • Shadow and Act
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    Tambay's Epic 'Django Unchained' Review - Kill The Noise (Nothing Is Silent)

    Warning: This is long. As you can see at the bottom, it's broken up into 4 pages, so just click to go to the next page to continue reading.

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  • Thompson on Hollywood
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    'Django Unchained' Needed More Time; Review and Roundup

    So far the critics are being kind to Quentin Tarantino's bloody Western-down-South, singing the praises of the film's stellar cast and its fierce yet disturbingly funny confrontation with the most shameful chapter of American history. Division comes concerning the film's length, with som...

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  • Indiewire
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  • Criticwire
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    26

    First 'Django' Reviews Unchained From Their Embargo

    The new film from Quentin Tarantino is a hit with critics.

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  • Press Play
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    DJANGO UNCHAINED Is All Too Restrained

    A plantation in the antebellum South is a perfect setting for a Quentin Tarantino film. His movies flip expectations, revealing gangsters as mundane chatterboxes and assassins as loving parents, transforming the would-be victims of murderous stalkers and World War II Nazis into forces of vengeance.

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  • The Playlist
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    Review: 3 Different Opinions On The Good & The Bad Of Quentin Tarantino's 'Django Unchained'

    Films by Quentin Tarantino aren't exactly Halley's Comet, but for a while there, they didn't come as often as some filmgoers would have liked. And while the filmmaker seems to be back at his pace of delivering a film every two or three years, the arrival of a new Tarantino picture generally makes th...

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  • Shadow and Act
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  • Indiewire
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    Review: Quentin Tarantino's Wild Western Pastiche 'Django Unchained' Is Messy As Hell, But We Love Him For It

    Quentin Tarantino's characters are often astonished to find themselves in his intricate universe of references. That's certainly true of Django (Jamie Foxx), a black slave in the antebellum South freed from bondage by German dentist-turned-bounty hunter Dr. King Schulz (Christoph Waltz) in the openi...

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  • Thompson on Hollywood
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    Now and Then: The Rachel Weisz Argument, or the Best Performers of the Year

    Last week, the NYFCC awarded Rachel Weisz its Best Actress prize for her sumptuous period turn in "The Deep Blue Sea," and well-deserved it was. But it reminded me of what I'm calling the Rachel Weisz Argument: an actor's entire body of work in a given year is a better measure of "best."

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  • Thompson on Hollywood
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    Review: Czech Oscar Entry 'In the Shadow,' Sleek Neo-Noir and Gorgeously Old-Fashioned Policier

    “In the Shadow,” the Czech Republic’s official Oscar entry, takes place in 1953 Prague, during the currency reform. World War II has been over for the better part of a decade, but the stench of anti-Semitism is still thick in the air, and a tightly controlled police state looms. Detective Jarda Hakl...

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