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Movie Reviews

  • Thompson on Hollywood
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    24 Hour Plays: Eisenberg, Crudup, Krasinski, Silverman and Bettany Act Impulsive, Giddy and Charming

    Audiences flock to see the 24 Hour Plays on Broadway (a fundraising benefit for Urban Arts Partnership) for the same reason people watch NASCAR: the hope of a disaster. “No, there will be no art here tonight,” declares 24 Hour Plays veteran Billy Crudup in the first of six productions. &...

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  • Leonard Maltin
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    Happy Feet Two Review

    I wasn’t the world’s biggest fan of ‘Happy Feet’, which had many good qualities but got bogged down by its ecological message (worthy though it was). The sequel still tries to tell too many stories, and winds up being a long string of dramatic climaxes, but it also plays to t...

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  • The Playlist
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  • Thompson on Hollywood
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    Bill Condon Talks Twilight: Breaking Dawn, Stewart and Pattinson Grow Up, 2-D vs. 3-D

    At the "Twilight: Breaking Dawn -Part One" premiere Monday night in downtown Los Angeles, Summit put the ensemble led by Kristen Stewart, Rob Pattinson and Taylor Lautner through the usual endless labyrinthine gauntlet of fans and global media, all broadcast inside the huge fan-packed Noki...

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  • The Playlist
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  • The Playlist
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  • Eric Kohn
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    Before You Say "Fuck 'Twilight,'" Wait. Seriously, "Breaking Dawn" Is Sort of Good.

    I'm not about to make any sweeping claims about the aesthetic mastery of the fourth entry in the "The Twilight Saga," clumsily subtitled "Breaking Dawn Part 1," and unquestionably conceived with the same glossy and thematically conservative mindset that made the books into a ...

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  • The Playlist
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    Review: 'Happy Feet 2'

    There is some precedence for being genuinely excited about "Happy Feet Two" (yes, the number is spelled out). For one, the original film, 2006's "Happy Feet," was more slyly subversive than a movie about tap-dancing penguins has any right to be, with a strong thematic undercu...

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  • Indiewire
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    For "Largo Winch," Being an Action Hero is a Chore

    In action movies, speed, surprise, the clash of fists or the wisp of a bullet's path can transcend the need for narrative; sometimes, the cinema of distraction adds up to a satisfying whole. That's not the case in "The Heir Apparent: Largo Winch," an adaptation of the 1970's Be...

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  • The Playlist
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