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Movie Reviews

  • Indiewire
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    SUNDANCE REVIEW: Paul Dano's Best Performance Yet is in So Yong Kim's 'For Ellen'

    Nobody else could fit the role of a crestfallen rocker that Paul Dano embodies in director So Yong Kim's remarkable "For Ellen."

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  • Shadow and Act
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    Sundance 2012 Review - "Slavery By Another Name" (A Powerful & Eye-Opening Account Of *Lost* American History)

    Based on the 2009 Pulitzer Prize-winning book of the same name by Wall Street Journal writer Douglas Blackmon, Slavery by Another Name challenges the assumptions that slavery ended with Abraham Lincoln’s Emancipation Proclamation of 1863.

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  • The Playlist
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    Sundance Review: 'Hello I Must Be Going' A Smart, Smutty & Sweet Tale About Love, Divorce & Growing Up In Your Mid-30s

    If there's a trend in the fiction narratives at Sundance in 2012, it's the series of smart(-ish), sweet(-er) and smutty(-styled) comedies in the mix here in Park City, some of which have been remarkably well-received ("For a Good Time Call") and some of which are not ("Bachelo...

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  • The Playlist
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    Review: Katherine Heigl's 'One For The Money' Isn't Worth A Dime

    "One for the Money" brings Janet Evanovich’s beloved heroine Stephanie Plum to life on screen, a ditzy would-be bounty hunter who succeeds only in endangering the lives of anyone near her and dismissing the intelligence of audiences. Adapted from the 1994 novel of the same name,...

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  • Thompson on Hollywood
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    Does Oscar Really Follow the Critics? Tell-All Charts

    Every year, the lead-up to the Oscars is rife with horse race terminology: there are front-runners, films that lag behind and, of course, last minute surges.  As Hollywood bounces from award ceremony to award ceremony, from SAG to the Golden Globes to the Guild awards, the Oscar-predicting c...

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    Criticwire at Sundance, Part II: Where Some Come Into Their Own, Some Fade Away and Others Polarize

    “Beasts of the Southern Wild” is still the most-reviewed film at the festival, but the consensus that movie embodies near-perfection has dimmed.

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    SUNDANCE REVIEW | "1/2 Revolution" Puts a Dramatic Personal Spin on Tahrir Square

    The Western world viewed the Tahrir Square uprising through selective media filters and left the personal dimension largely ignored, which makes the handheld footage on display in Sundance World Competition documentary "1/2 Revolution" both stunning and vital. Shot by a group of progressiv...

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  • Indiewire
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    The New Paradigm for the Sundance Breakout? When Audiences Walk Out.

    The term "crowdpleaser" usually applies to movies with commercial potential; at this year's Sundance Film Festival, some of the most appealing films seem to be ones that only pleased those bold enough to stick around. When the walkouts began at during Thursday's screening of Rick A...

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  • The Playlist
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    Sundance Review: 'Keep The Lights On' A Moving & Engrossing Chronicle Of Two Men In Love

    With "Keep the Lights On," co-writer/director Ira Sachs has made a triumphant return to Sundance. His latest drama is a beautiful exploration of a relationship’s progression from start to finish. With great tact and depth of feeling, Sachs shows us that the most remarkable thing abou...

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  • The Playlist
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    Sundance Review: Disappointing 'Robot And Frank' Is High Concept Sci-Fi That's Low On Ideas

    In recent years Sundance has been hit with a handful of smart science fiction films tackling large themes within an extremely limited scope. From the $7000 “Primer” to the $5 million “Moon,” their respective filmmakers managed to put forth some interesting ideas without ...

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