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Movie Reviews

  • The Playlist
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    Sundance Review: Weird & Sometimes Confusing 'John Dies At The End' Is Still An Odd & Engaging Genre Treat

    The problem addressing fans of “Midnight” films and wacky horror can succinctly be found in the opening of Don Coscarelli's “John Dies At The End.” It involves axe handles, zombies, mutant leeches, axe heads, hardware store trips and answering a dead man as to whether or ...

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    Sundance Review: Richard Gere Shines In The Gripping Moral Morass Of 'Arbitrage'

    Robert Miller (Richard Gere) is celebrating his 60th birthday at the start of "Arbitrage," first with his family – including wife Ellen (Susan Sarandon) and daughter/chief financial officer Brooke (Brit Marling) – and then with his mistress, Julie (Laetitia Casta). As the hedge...

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    Sundance Review: 'Red Lights' Invites You To Stop, Look & Listen

    What you see, you can’t believe. What you can’t understand, though, can ultimately be explained. This is the modus operandi for Margaret Matheson (Sigourney Weaver) and assistant Tom Buckley (Cillian Murphy), parapsychologists primarily interested in debunking supernatural phenomena. &ld...

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    Sundance Review: 'Save The Date' Is Light & Endearing Without Being Insubstantial; What Other Rom-Coms Should Aspire To

    With the countless number of romantic comedies focused on how difficult it is for a woman to find a good man, it’s incredibly refreshing to see one where the tables are turned. In “Save The Date,” Lizzy Caplan stars as Sarah, a struggling illustrator who keeps herself afloat by managing a local book...

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    SUNDANCE REVIEW: Ira Sachs' 'Keep the Lights On' Taps Into a Personal Drama With Ease

    Ira Sachs' quiet, observational style conveys the rich texture of the characters' ever-changing behavior. It's deeply affecting, even when nothing much happens.

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    SUNDANCE REVIEW: Paul Dano's Best Performance Yet is in So Yong Kim's 'For Ellen'

    Nobody else could fit the role of a crestfallen rocker that Paul Dano embodies in director So Yong Kim's remarkable "For Ellen."

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    Sundance 2012 Review - "Slavery By Another Name" (A Powerful & Eye-Opening Account Of *Lost* American History)

    Based on the 2009 Pulitzer Prize-winning book of the same name by Wall Street Journal writer Douglas Blackmon, Slavery by Another Name challenges the assumptions that slavery ended with Abraham Lincoln’s Emancipation Proclamation of 1863.

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    Sundance Review: 'Hello I Must Be Going' A Smart, Smutty & Sweet Tale About Love, Divorce & Growing Up In Your Mid-30s

    If there's a trend in the fiction narratives at Sundance in 2012, it's the series of smart(-ish), sweet(-er) and smutty(-styled) comedies in the mix here in Park City, some of which have been remarkably well-received ("For a Good Time Call") and some of which are not ("Bachelo...

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    Review: Katherine Heigl's 'One For The Money' Isn't Worth A Dime

    "One for the Money" brings Janet Evanovich’s beloved heroine Stephanie Plum to life on screen, a ditzy would-be bounty hunter who succeeds only in endangering the lives of anyone near her and dismissing the intelligence of audiences. Adapted from the 1994 novel of the same name,...

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  • Thompson on Hollywood
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    Does Oscar Really Follow the Critics? Tell-All Charts

    Every year, the lead-up to the Oscars is rife with horse race terminology: there are front-runners, films that lag behind and, of course, last minute surges.  As Hollywood bounces from award ceremony to award ceremony, from SAG to the Golden Globes to the Guild awards, the Oscar-predicting c...

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