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Movie Reviews

  • Leonard Maltin
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  • Leonard Maltin
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    movie review: Kung Fu Panda 2

    It’s tricky to change the thrust—and the tone—of a story in its second installment, but I think the creators of Kung Fu Panda 2 have pulled it off. The first movie was

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    Critical Consensus: "Tree of Life" (Finally!) Arrives In Theaters as the Pick of the Week

    Days after it won the Palme d'Or in Cannes (and, on a lesser note, topped indieWIRE Cannes critics' poll), Terrence Malick's "The Tree of Life" hits theaters in New York and Los Angeles, followed by a national rollout throughout June. It also becomes our second critic's pick of the week (in a row, n...

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    Small Screens: indieWIRE's Top 4 Releases This Week

    This week two critically acclaimed docs hit DVD, Yves Saint Laurent gets remembered on VOD and David Hyde Pierce plays the perfect host.

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    Cannes '11: Five Lessons From This Year's Festival

    After 12 long days and even more sleepless nights for hundreds of people, the Cannes Film Festival finally came to an end Sunday. As with each year at this massive spectacle of media chaos and cinematic discovery, many moments and images (not to mention movies!) will continue to reverberate.

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    CANNES REVIEW | "Once Upon a Time in Anatolia" is a Mesmerizing Police Procedural

    Editor's note: A version of this review originally ran during the Cannes Film Festival. "Once Upon a Time in Anatolia" opens at Film Forum on Wednesday.

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    Cannes '11 | 28 Cannes Reviews

    Since kicking off last Wednesday with the world premiere of Woody Allen's well received "Midnight in Paris," the 64th Festival de Cannes has churned out one anticipated title after another. indieWIRE's Eric Kohn has been busy on the scene from day one of the event to review a slew of titles. Check o...

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    Bruno Dumont's "Outside Satan" Lacks Inspiration

    Editor's note: A version of this review originally ran during the Cannes Film Festival. "Outside Satan" opens Thursday in limited release.

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    CANNES REVIEW | Un Certain Regard Closer "Elena" Features Glacial Pace and Intriguing Philosophy

    Andrei Zvyaguintsev starts and ends his third feature, "Elena," with the symbolic image of a barren tree, an accurate reflection of the dreary narrative sandwiched between those two shots. All three of the Russian director's features - alongside "Elena," he directed "The Return" and "The Banishment" - deal with troubled family life. Only "Elena," however, explicitly states said trouble before confronting its consequences. His latest work is the most overtly philosophical of the three, less concerned with plot than contrasting values. Terminally slow and simpler than its glacial pace implies, "Elena" is a resolutely minor work, but not without...

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    CANNES REVIEW | Christophe Honoré's "Beloved" Closes the Festival with the Familiar

    With "Beloved" ("Les bien-aimés"), the closing night selection of the 2011 Cannes Film Festival, prolific French director Christophe Honoré returns to the postmodern musical turf he first explored in 2007's acclaimed "Love Songs." Here, he covers 45 years over 150 minutes and gives the impression of...

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