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Movie Reviews

  • Leonard Maltin
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    ZERO DARK THIRTY

    In 'The Hurt Locker', director Kathryn Bigelow and journalist-turned-screenwriter Mark Boal told a riveting story against the backdrop of the war-torn Middle East. In their new collaboration,' Zero Dark Thirty', they dramatize a real-life series of events, spanning nearly a decade, that are just as ...

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  • Leonard Maltin
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    THE GUILT TRIP

    I wouldn’t call The Guilt Trip a great comedy, but I had a lot of fun watching Barbra Streisand, who effortlessly commands the screen and reminds us what a gifted, natural comedienne she is.

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  • The Playlist
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    Review: 'Barbara' A Fresh Look Into 1980s Germany, Focusing On Life & Love

    Though maybe a bit too stiff and straight-laced, "Barbara" is a frequently subtle, moderately interesting character study set in a grievous East Germany during the 1980s. What are especially nice are the painstaking ways that director Christian Petzold ("Jerichow," "Dreileben: Beats Being Dead") avo...

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    MORE: Barbara, Review
  • The Playlist
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    Review: Beat Classic 'On The Road' Comes To The Screen In Lustrous-But-Long-Winded Fashion

    Jack Kerouac's "On the Road" has been heralded for decades: an important novel, a cultural signifier, a sociological landmark, a cracking good read. It's also been considered "unfilmable" -- but now Walter Salles ("The Motorcycle Diaries," "Dark Water") brings the novel to the screen, and "The Motor...

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  • Thompson on Hollywood
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    Now and Then: 'Brazil,' Terry Gilliam's Dystopia — And Ours, Too

    To my discredit, I had never seen "Brazil." It sat atop my pile of screeners for a few weeks, its length and reputation forbidding. Like all dystopian fictions, Terry Gilliam's 1985 epic is a prophecy of sorts, guesswork for a grim future. And it turned out he was right.

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  • Thompson on Hollywood
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    'Holy Motors' Best Film in Indiewire's Year-End Critics Poll; 'Zero Dark Thirty,' 'Sun Don't Shine,' 'This Is Not a Film' and More Recognized

    Leos Carax's "Holy Motors" has been voted Best Film by the 2012 Indiewire year-end critics' poll. A broad sampling of print and online critics--about 200-- participated, including TOH's Anne Thompson, Indiewire's Eric Kohn, Alison Wilmore and Matt Singer, The New Yorker'...

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  • The Playlist
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    Review: Judd Apatow's 'This Is 40' Is Sprawling And Undisciplined, But Emotionally Honest Too

    Hearing that writer/director Judd Apatow, arguably the most influential and highly regarded comedic talent in the past decade, was making a "sort-of sequel" to his smash "Knocked Up," it's easy to assume that his creative well has run dry. Why return to that world, only to focus on a pair of side ch...

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  • Caryn James
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    The Best Films of 2012

    My top three films of 2012 were easy to name, if not to order. Each is amazing, each wildly different from the other two, but they form a trio of incomparable experiences. There’s a deep dropoff from those three to the others, all fantastic --  though more flawed. I didn’t reac...

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  • Shadow and Act
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    Review: Said Ould-Khelifa's Zabana! (Algeria's Submission For Best Foreign Language Oscar)

    I'm not sure if it's widely-known that the opening sequence of Gillo Pontecorvo's 1966 masterpiece Battle of Algiers, features the execution of the man who's at the center of Said Ould-Khelifa's Zabana! - Algeria's selection for the Best Foreign ...

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  • The Playlist
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    Review: 'Jack Reacher' Is The Rare Franchise-Starter That Makes You Hungry For More

    Much of the hoopla surrounding "Jack Reacher," the first adaptation of the insanely popular series of Lee Child-penned thrillers, has had to do with the casting of the diminutive Tom Cruise in the title role. As described in the novels, Reacher is, physically speaking, a brute – close-cropped blonde...

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