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Movie Reviews

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    AFI Fest Review: 'The International Sign For Choking' Is Simultaneously Brash And Boring

    “The International Sign for Choking,” the second feature from writer-director Zach Weintraub, is kind of like one of those short-term relationships that ends when you both decide that you don’t like each other enough to keep calling. You’re not entirely sure what the point of...

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    AFI Fest Review: 'The Most Fun I've Ever Had With My Pants On' Loses Its Way In This Overworked, Predictable Road Movie

    Extremely personal films can prove problematic. In general, art can serve very well as a form of expression and catharsis, with the medium of film catering to this cause with particular success due to its multi-sensory stimulation. But when an individual’s emotional release begins to overwhelm...

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    Review: Parker Posey Is Comedic Napalm In 'Price Check'

    The frown of Parker Posey is like a map of comic chaos. The chief weapon amongst her considerable comic skills (the sarcastic smile is a close second), it does more than inform Posey’s characters, all of whom seem to be suffering some sort of cultural malaise. It’s so all-encompassing, as if her mou...

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    Review: 'Mea Maxima Culpa' A Provocative, Emotive, Dogged Investigation Into A Landmark Clerical Sex Abuse Case

    By turns moving, absorbing and downright rage-inducing, “Mea Maxima Culpa: Silence in the House of God” is celebrated documentarian Alex Gibney’s account of sexual abuse in St John’s School for the Deaf in Milwaukee during the '60s and '70s, which he then uses as a launchpad to follow the chain of c...

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    Critical Consensus: Eric Kohn and Peter Knegt On the Oscar Prospects of 'Anna Karenina,' 'Silver Linings Playbook' and More

    Chief film critic Eric Kohn and senior editor Peter Knegt reconvene to get under the hood of the awards race: what's working, what's not and where the 'Silver Linings' are.

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    Keira Knightley In An 'Anna Karenina' Cold As A Russian Winter

    With its snowy landscapes, sumptuous costumes and old-world aura, Anna Karenina is as pretty as a holiday window – and just about as lively and surprising. Placing Tolstoy’s enduring story of a married woman’s deadly, passionate infidelity in a theatrical setting – nearl...

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    Rome Review: Walter Hill's Sylvester Stallone-Starrer 'Bullet To The Head' Is A Blast From The Past

    About as unreconstructed as it's possible to get, Walter Hill's first feature in 10 years, "Bullet to the Head," finds the veteran action director utterly mired in the tropes of the '80s R-rated action film. And we enjoyed the hell out of it. With nothing but the Himalayan crags of Sylvester Stallon...

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    Rome Film Festival Review: Against All Odds, Mike Figgis' 'Suspension of Disbelief' Encourages Just That

    Carl Jung had a theory he called "Participation Mystique," which Mike Figgis tries to explain with a few written lines at the top of his new post-modern film noir, "Suspension of Disbelief."

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    DOC NYC Review: 'Don't Follow Me (I'm Lost)' A Quotidian Portrait Of A Musician On The Road

    Son and namesake of an illustrious country singer, Bobby Bare Jr. made the differences between him and his patriarch very clear when his band released an album on Immortal Records (Korn, Incubus). Since then he’s been furiously touring as a solo artist, rocking with various backing bands and making ...

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    Review: 'Lincoln' Is A Handsomely Shot, Immaculately Acted & Terribly Dull Historical Biopic

    Steven Spielberg directing a biopic on Abraham Lincoln, even one that concerns the President's last four months in his second term, is something that positively oozes with endless possibilities. This is, after all, a filmmaker who has turned his virtuosic eye onto past historical injustices like the...

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