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Movie Reviews

  • The Playlist
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    Review: 'The Intouchables' Is A Crowd-Pleaser For Simpletons

    “The Intouchables” is a study in contrasts. In one corner, there is Phillipe (Francois Cluzet), a wealthy, white renaissance man paralyzed from the waist down. He is mobile, exiting his home for fine dining, purchasing artwork, and attending the opera. He cannot continue to live the finer life witho...

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  • Shadow and Act
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    Review - "The Intouchables" Is Like "Bringing Down The House" Minus The Negro Spiritual

    Maybe I’m just numb after almost 12 months of coverage of this film on S&A; but I came out of my screening of it, and the most I could muster up in terms of a reaction to what I saw was just a shrug.

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  • The Playlist
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    Cannes Review: Lee Daniels' 'The Paperboy' With Matthew McConaughey & Nicole Kidman Is A Disastrous Flop

    Many people will tell you that "The Paperboy" -- based on Pete Dexter's novel, brought to the screen by "Precious" director Lee Daniels -- is a trash masterpiece, an instant camp classic, so bad it's good. These people, these critics, are simply not to be trusted about any question of judgment for a...

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  • Indiewire
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    CANNES REVIEW: Is Lee Daniels' 'The Paperboy' So Bad Its Good? Only If That's What You Want From It.

    Lee Daniels' "The Paperboy" is a rare case of serious commitment to outright silliness. The director's follow-up to "Precious" fries its dramatic content with a blazingly absurd grindhouse style as extreme as the humidity bearing down on his characters.

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    CANNES REVIEW: Ben Wheatley's 'Sightseers' Finds the Romance, and His Voice, in a Horror-Comedy

    British filmmaker Ben Wheatley has earned a following on the genre film festival circuit for a pair of distinctive movies with two very different moods. His 2009 debut "Down Terrace" followed a family of criminals through a series of amusing misadventures, suggesting Wheatley's procliv...

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    Carlos Reygadas' 'Post Tenebras Lux' Is a Mess of Half-Baked Ideas

    A key distinction between Mexican director Carlos Reygadas' completely baffling "Post Tenebras Lux" and his previous feature "Silent Light" comes from comparing their opening sequences. "Silent Light" begins with a supremely lyrical shot of natural imagery slowly fa...

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  • Leonard Maltin
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    24

    John Huston’s “LIGHT” Online

    Striking a blow for film preservation, and widespread access to films once they are properly restored, the National Film Preservation Foundation is now streaming John Huston’s long-suppressed 1946 documentary 'Let There Be Light' on its website.

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  • Criticwire
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    Criticwire Picks: Festival Hits 'Moonrise Kingdom' and 'Oslo, August' Top New Releases

    With many moviegoers tuned to the news from Cannes this week, it's a light time for number of new U.S. releases. Appropriately, two former Cannes films are tied for the top score among our Criticwire members with B+ averages -- one that took the fast track to theaters and another that stopp...

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  • The Playlist
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    Cannes Review: Ben Wheatley's 'Sightseers' - Or, "Natural Born Campers" - Is A Black-Comedy Holiday Hoot

    After "Down Terrace" and "Kill List," midnight-movie manqués and buffs in the know were wondering what director Ben Wheatley would do next; the answer is, apparently, make you laugh until you sound like a hole in the side of an airplane. "Sightseers," starring and written by Steve Oram and Alice Low...

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  • The Playlist
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    Cannes Review: Carlos Reygadas’ 'Post Tenebras Lux' Is Singularly Strange, But Not Especially Impressive

    When discussing Carlos Reygadas’ “Post Tenebras Lux,” comparisons to “The Tree of Life” come easily, though Reygadas’s film is as far from a paean to God as it gets. In fact, while Malick’s movie has a sweeping, hands-on perspective on enlightenment and God, Reygadas’ (“Silent Light,” “Battle in Hea...

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