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Movie Reviews

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    Venice Review: 'Fill The Void' An Orthodox Jewish Romance Caught Awkwardly Between Comedy & Melodrama

    After a Cannes Film Festival which attracted criticism for including no female directors whatsoever, new Venice Film Festival head Alberto Barbera seems to be having bit of a dig at his Gallic rivals with his first year in charge. In the official selection alone, there are four female directors or c...

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    TELLURIDE REVIEW: Star-Studded Marilyn Monroe Doc 'Love, Marilyn' Effectively Deconstructs an Iconic Legacy

    TELLURIDE REVIEW: Star-Studded Marilyn Monroe Doc 'Love, Marilyn' Effectively Deconstructs an Iconic Legacy

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    Venice Review: Terrence Malick's 'To The Wonder' Is A Raw & Heartfelt Film Of Loss And Longing

    For a man not known for being prolific, an eighteen-month gap between Terrence Malick’s “The Tree of Life” (the filmmaker’s first film in five years) and his latest, “To the Wonder” (only his sixth in forty years) isn’t just unprecedented, it’s positively mind-boggling, especially given that the dir...

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    Telluride Review: Endearing & Buoyant ‘Frances Ha’ Marks A Terrific Gear Shift For Director Noah Baumbach

    Loose, limber and driven by a fierce energy and staccato/pause rhythm we haven't seen previously from this filmmaker, Noah Baumbach's sublime "Frances Ha" is a fresh and vivacious near-reinvention of the director/writer's comedic milieu. An enchanting riff on friendship and the late-20-something rig...

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    Charming 'Frances Ha' Reteams Greta Gerwig and Noah Baumbach For a Deceptively Simple Portrait of Post-College Woe

    A slight and largely charming portrait of post-college woes, Noah Baumbach's deceptively simple "Frances Ha" is breezier than any of his previous ventures and indeed features considerably less ambition than his earlier work. However, that's hardly an indictment for a movie so eager...

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    Telluride Review: Intimate & Devastating ‘Ginger & Rosa’ Features A Transformative Elle Fanning Performance

    Lovely and devastating, challenging yet worthwhile, Sally Potter's "Ginger & Rosa" may be the English filmmaker's best since "Orlando," and perhaps her most accessible to date. The intimate and sensual picture also features yet another terrific performance by 14-year-old Elle Fanning, who is quickly...

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    VENICE REVIEW: Anderson's 'The Master' Impresses and Befuddles; Phoenix & Hoffman Both Outstanding

    What has Paul Thomas Anderson wrought with “The Master”? A film that’s majestic and masterly if not a masterpiece, which draws sustenance from masters of the past, filmic, literary and artistic, and is pinioned by two colossal characters as it recounts the early, stuttering formation of a Scientolog...

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    Telluride Review: Sally Potter's Moving Coming-of-Age Drama 'Ginger and Rosa' Marks a Turning Point For Star Elle Fanning

    The fundamental coming-of-age conflict facing the troubled teen played by Elle Fanning in Sally Potter's "Ginger and Rosa" may look familiar, but the director brings a raw energy to the material that deepens its possibilities. Set at the height of nuclear paranoia in early-Sixties Lond...

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    Venice Review: 'The Master' Is Paul Thomas Anderson's Most Complex And Distinctive Film To Date

    No movie has been more keenly anticipated by cinephiles in 2012 than Paul Thomas Anderson’s “The Master.” The filmmaker has been one of cinema’s most exciting new voices for a decade and a half now, but reached a new level of adulation with his last picture, ”There Will Be Blood,” which won awards a...

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    Telluride Review: Ben Affleck's '70s-Flavored 'Argo' Is A Terrifically Suspenseful & Entertaining Thriller

    Ben Affleck's third feature-length film, the terrifically suspenseful dramatic thriller "Argo," is the second picture to use Warner Bros.' 1970s logo in 2012. And like "Magic Mike," the Soderbergh film that employed the same logo earlier this year, it's an augur of what's to come, announcing a tone,...

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