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Movie Reviews

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    Review: 'The Possession' Wants To Be 'The Exorcist' But Comes Off Like A Lesser Episode Of 'The X-Files'

    In "The Possession," a new horror movie from Sam Raimi and Rob Tapert's Ghost House production shingle, a young girl becomes infatuated and then, yes, possessed by a dubious Jewish spirit that had been kept imprisoned in a wooden box. As far as horror movie premises go, this one is pretty outlandish...

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    Venice Review: Mira Nair's 'The Reluctant Fundamentalist' A Heavy-Handed Look At A Post 9/11 World

    Opening films at festivals are always worth approaching with a little caution. Normally given out-of-competition slots, it’s often a signal that the films have been selected to bring some starry names, and the attention that goes with them to the red carpet, or to make some kind of mission statement...

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  • Leonard Maltin
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    Lawless—movie review

    When a movie has as much going for it as this one, it’s discouraging when it doesn’t deliver on its promise. Yet 'Lawless' pulls the magician’s trick of distraction, offering enough superficial entertainment value—with atmospheric use of locations, charismatic actors, and spurts of shocking violence...

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    Review: Pascal Laugier's 'The Tall Man' An Unfocused & Silly Horror Tale

    A few years ago there was a sort of mini-horror movie renaissance in France, with a bunch of talented young directors paying homage to their favorite American horror films the only way they knew how – by making them incredibly French. Under the stewardship of older French genre provocateurs (like Lu...

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    Venice Review: Kiyoshi Kurosawa's 'Penance' Is An Absorbing 4 1/2 Hour Drama That Falters At Its Ending

    For all the talk of auteurs working on the small screen, and helping to bring in a new golden age of television – Martin Scorsese, Michael Mann etc. – it’s hardly a phenomenon only made up of HBO’s current output. Ingmar Bergman and Rainer Werner Fassbinder both turned to television in the 1980s, fo...

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    Review: 'The Day' Presents Post-Apocalypse From The A La Carte Menu

    "The Day" runs about eighty-seven minutes in length. It features a number of recognizable actors. There's violence at the beginning, middle and end, and many characters die, mostly with an explosion of blood. The story takes place over the course of one day, and though the image is saturated, we see...

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    Does Mads Brugger's Satiric 'The Ambassador' Go Too Far?

    At the beginning of "The Red Chapel," the 2010 exposé of North Korean society directed by Danish comedian Mads Brügger, the filmmaker establishes his ruse from the outset, swiftly enunciating his intention to satirize the country's oppressive extremes by pretending to embra...

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  • Leonard Maltin
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    New And Notable Film Books

    Books continue coming in at a faster pace than I can possibly keep up with and it’s been a while since I did a survey. Here are some of the recent titles that pique my interest. Remember, these are not critiques, but descriptions based on a quick once-over. I hope to print full-fledged reviews, on a...

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    Weekly Wrap: Remembering Tony Scott, Zadan & Meron Land Oscars, Weekend Preview, In The Works & More

    This week on TOH, we interviewed Craig Zadan and Neil Meron on being the 2013 Oscar producers, we looked ahead to the weekend's offering of new films, we compared Joe Wright's upcoming "Anna Karenina" to the long string of previous film adaptations, paid tribute to director Tony Scott (1944-2012) an...

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    Critic's Notebook: Being a Young Film Critic in Modern Iran

    Critic's Notebook: Being a Young Film Critic in Modern Iran

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