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Movie Reviews

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    REVIEW | Another One from the Heart: John Turturro's "Romance & Cigarettes"

    If John Turturro's "Romance & Cigarettes" had been financed and released by a studio, it would have been a calamity on the level of Francis Ford Coppola's infamous "One from the Heart." That's not meant to be an insult. Though "One from the Heart" was one of many Hollywood productions (Michael Cimino's "Heaven's Gate" among them) that hearkened the last gasp of the much-hallowed days of Seventies filmmaking, when directors were given big budgets and free reign to experiment on large canvases, it was also a gloriously earnest film that purposely, necessarily alienated its audience in order to collapse conventional narrative parameters--much in...

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    REVIEW | Return of the Repressed: William Friedkin's "Cruising"

    There are untold artistic benefits to living in a culture of critical reassessment--otherwise, what would current generations think of "Vertigo?" But if the glut of superfluous "special edition" DVD packages over the past ten years is any indicator, then there are also some sorry side effects. Falling somewhere between the enshrined camp package ("Mommie Dearest"'s Hollywood Royalty Edition, complete with John Waters commentary track!) and the sober-minded resurrection of the long unavailable and disenfranchised as crucial artifact (the recent "Films of Alejandro Jodorowsky" box set, featuring "El Topo") will surely be Warner Home Video's imm...

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    REVIEW | Love Among the Ruins: Eytan Fox's "The Bubble"

    Of course, it would follow that an Israeli filmmaker would center his films mostly around dichotomies, doubles, and impasses. Popular gay filmmaker Eytan Fox, whose previous two films, "Yossi and Jagger" and "Walk on Water," enjoyed healthy limited-run success in the U.S., returns with "The Bubble,"...

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    REVIEW | Slippery Slope: Aaron Katz's "Quiet City"

    Of late, there's been a lot of ink spilled over that new group of filmmakers currently being honored at New York's IFC Center as "Generation DIY" (and inadvertently forever dubbed "mumblecore," in an interview in these very pages at indieWIRE), so it might now be somewhat pressing to put aside questions of collectivity and look at the films themselves and see how they stand on their own. Being released directly after a week-long run of Joe Swanberg's "Hannah Takes the Stairs," Aaron Katz's second feature (after last year's "Dance Party USA") "Quiet City" evokes a memorable aesthetic to surround its minor-key maybe-romance, focusing almost as ...

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    REVIEW | True Colors: Ethan Hawke's "The Hottest State"

    Over nearly twenty years, Ethan Hawke, despite playing a variety of roles in disparate genres, has managed to create a recognizable star persona for himself. Perhaps too recognizable for some, as he can be easily pigeonholed and has become a bit of a punching bag for those not on his wavelength. Haw...

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    REVIEW | Brigham Young Guns: Christopher Cain's "September Dawn"

    When we look back one day on the cinema that emerged in response to 9/11 we'll undoubtedly notice among the successes, failures, prophetic messages and reactionary propaganda a handful of films that can be rightfully designated as downright laughable and nearly delusional in their attempts to fashion political statements out of dubious thinking. One imagines future generations of culture scavengers ironically appreciative of this historical drama "September Dawn," also doubling as a Bush Administration allegory, as amusing in its hysteria and all too representative of the wacky time in which it was born. But as of now I can't take much pleasu...

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    REVIEW | Simple Men: Rod Lurie's "Resurrecting the Champ"

    Denver sportswriter Erik Kerman, Jr. (Josh Hartnett) is at loose ends, fighting an uphill battle against his editor (Alan Alda) to keep his byline from being buried in the paper's back pages, and against his estranged wife, to keep himself a presence in his young son's life. Erik's pitch for a prestige spot in the Sunday magazine comes when he meets a homeless man known on the streets as "Champ" (Samuel L. Jackson), identifying himself to anyone who'll listen as none other than Bob "Bombadier" Satterfield, a high-flying heavyweight contender in the Fifties, now assumed dead by anyone who might've once cared, and reduced to dragging his worldl...

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    REVIEW | Panic Button: Chris Gorak's "Right at Your Door"

    In his book on the Apollo 11 moon landing, "Of a Fire on the Moon," Norman Mailer wondered whether, in addition to providing wish fulfillment, dreams might act as psychic simulation chambers "where the possible malfunctions of life tomorrow and life next year could be tested, where the alternate plans could be tried." If movies can be said to resemble dreams of the collective unconscious, an idea suggested since the birth of the medium, then what are we to make of the current crop of films reimagining horrific terrorist attacks, panicked citizens, and draconian federal responses, films like "War of the Worlds," "Children of Men," and now "Rig...

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    REVIEW | 'core Truths: Joe Swanberg's "Hannah Takes the Stairs"

    "It's like a musical couch," one character comments, shifting positions on a sofa with two others, nicely summing up the narrative thrust of the wispy but radiant "Hannah Takes the Stairs." The line also unwittingly references the cinematic cross-pollination taking place amongst the real-life troup...

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    PARK CITY '07 REVIEW | It Happened in Sao Paulo: Jason Kohn's "Manda Bala"

    [EDITOR's NOTE: Steve Ramos' review of "Manda Bala" appeared as part of indieWIRE's coverage of the Sundance Film Festival in January.]Much attention is being made over first-time feature filmmaker Jason Kohn's apprenticeship with documentary master Errol Morris but the twenty-something director deserves unshared acclaim for his bright, beautiful and utterly engrossing omnibus film "Manda Bala" (translated from Portuguese to "Send a Bullet") Like the multiple storyline in Morris' landmark film "Fast, Cheap and Out of Control," Kohn spends time with a variety of Brazilians, rich and poor, good and bad, city dwellers and rural dwellers. He does...

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