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Movie Reviews

  • Leonard Maltin
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    Errol Flynn Slept Here:

    Errol Flynn Slept Here:

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    Movie Speak: How To Talk Like You Belong On A Film Set

    Movie Speak: How To Talk Like You Belong On A Film Set

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    Joseph P. Kennedy Presents: His Hollywood Years

    Joseph P. Kennedy Presents: His Hollywood Years

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    Hollywood Dreams Made Real: Irving Thalberg And The Rise of M-G-M

    Hollywood Dreams Made Real: Irving Thalberg And The Rise of M-G-M

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    Lana: The Memories, The Myths, The Movies

    Lana: The Memories, The Myths, The Movies

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    REVIEW | Life on the Stage: Richard Linklater's "Me and Orson Welles"

    Like so many of Richard Linklater's films, his latest, "Me and Orson Welles," follows an ad hoc group working together towards an unlikely, and very impending, goal. In his winning "School of Rock" a bunch of children (and one mental child) aimed to play a great rock show. His pint-sized Bad News Bears struggled for dignity through sport and teamwork, crescendo achieved via the "big game." In "Me and Orson Welles," Linklater hops back to the 1930s to the debut of Orson Welles's political staging of "Julius Caesar," but despite this sophisticated material he still populates his movie with childish types (narcissistic theater actors, producers ...

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    Movies: The Cure For What Ails You

    I’ve been in the grip of a bad cold for almost two weeks; I somehow manage to get my most important work done and then I go to sleep every day. By Wednesday afternoon I was so frustrated—tired but restless at the same time—I decided I couldn’t stare at the wall (or my com...

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    REVIEW | A Long and Dreary Path: John Hillcoat's "The Road"

    With its drearily brief paragraphs and poetic emphasis on imagery over dialogue, Cormac McCarthy's 2006 post-apocalyptic novel "The Road" practically reads like a screenplay. Not unreasonably, John Hillcoat's tense, discomfiting big screen adaptation remains almost entirely faithful to the book's distinctive pace and tone. The maintenance of this restrained progression is key to the movie's chilly effect, but the subtle ingredients behind such morbidity -- dreary-eyed performances, an enigmatic score, visual suggestions of death and decay in nearly every frame -- turn Hillcoat's version of "The Road" into a uniquely cinematic portrait of pess...

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  • Indiewire
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    REVIEW | Wright and Wrong: Rebecca Miller's "The Private Lives of Pippa Lee"

    One of contemporary cinema's most graceful, taken-for-granted actors, Robin Wright, too long in the shadow of her ex-husband, would seemingly have finally found the perfect leading role in Rebecca Miller's "The Private Lives of Pippa Lee," in which she plays a graceful, taken-for-granted wife and mother. Onscreen, Wright imbues her roles with effortless compassion, which is always just barely peeking out from layers of weariness and insecurity. Her lack of actorly grandstanding has often relegated her to smaller roles, but rather than languish in supporting parts, she thrives, from her one-scene, one-shot wonder in Rodrigo Garcia's "Nine Live...

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  • Indiewire
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    criticWIRE This Week: "The Road" Leads Thanksgiving Offerings

    John Hillcoat's "The Road," Rebecca Miller's "The Private Lives of Pippa Lee" and Richard Linklater's "Me and Orson Welles" mark a rather star-studded batch of specialty films making their way to theaters this Thanksgiving week. Generally regarded as one of the most potent filmgoing holidays of the ...

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