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Movie Reviews

  • Indiewire
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    Hard 'Luck': Why HBO's Horseracing Drama is Still Worth Seeking Out

    Watching the outstanding season (and series) finale of "Luck," which went out quietly on Sunday night while the country turned its attention to "Mad Men," it was hard not wonder if the show would have found more of a following if the rest of it had been like its ending.

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  • Thompson on Hollywood
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    Brownlow Restoration of Abel Gance’s 'Napoleon' Triumphs at Oakland’s Paramount Theater

    If at all possible, you should get yourself over to the Paramount Theater in Oakland next weekend (March 31 and April 1) for the final two performances of Kevin Brownlow’s 5½ hour restoration of Abel Gance’s 1927 "Napoleon," accompanied by Carl Davis conducting the Oakland East Bay Symphony in the p...

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    'Mad Men' Season 5 Opener 'A Little Kiss': Review and Recap, Premiere Sets Record

    After an 18-month hiatus, "Mad Men" is back with electric car windows, tacky polyester and even a bit of health consciousness. ("Please, no smoking.") Spoilers ahead!

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  • The Playlist
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    ND/NF '12 Review: 'Hemel' Takes An Unflinching Look At Broken Sexuality

    Within the very first moments of "Hemel," a couple writhe naked in bed. Their playful banter and back-and-forth focuses on the unsubstantial equipment, which he laughs off with only a slightly bruised ego. It's only when he starts to rag on her pubic hair that she begins to unravel, di...

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    Now and Then: How to Ruin a Marriage Without Really Trying, from 'Carnage' to 'Virginia Woolf'

    A quick tip for anyone interested in making a film about class resentment in a recession: as the Soviet filmmakers proved, it usually helps if you're juxtaposing two distinct points of view. Roman Polanski's film "Carnage," about a quartet of outraged — and outrageous — New Yorkers, doesn't quite fo...

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  • The Playlist
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    ND/NF '12 Review: 'Gimme The Loot' Paints An Affectionate Portrait Of The Foibles Of Inner City Youth

    The streets of New York City are alive in SXSW hit "Gimme The Loot," the endearing and charmingly unpretentious first feature from director Adam Leon. The film seems to move to the beat of jangling spray paint cans, particularly those in the deep pockets of Malcolm and Sofia. These two high schooler...

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  • Indiewire
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    'That's the way it works for some': The Welcome Return of the Ladies of 'Mad Men'

    The New York advertising world is the lens through which "Mad Men" filters its expanding array of themes, from counterculture to aging to war to -- at last, as promised by the scenes bookending last night's season premiere "A Little Kiss" -- race. But foremost, for me at leas...

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  • Thompson on Hollywood
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    The Death of 'Luck'

    What happened in "Luck"'s last two episodes is that Hoffman and Farina's characters had something to do of consequence. Farina stopped being a chauffeur and started being a tough guy who could see what others cannot. We finally knew why Hoffman kept him around.

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    Immersed in Movies: The Return of Abel Gance's 'Napoleon'

    Never mind about 3-D and IMAX and higher frame rates and immersive design and "The Artist" and "Hugo": Abel Gance's monumental silent, "Napoleon" (1927), is back and fully restored and better than ever. It boasts more than half-an-hour of additional footage discovered by tireless Oscar-winning Briti...

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  • Thompson on Hollywood
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    Weekend Preview: 'The Hunger Games' Is A Must-See

    Box office records and hearts -- and maybe some gender barriers -- will be broken this weekend by "The Hunger Games" and the franchise's star, Jennifer Lawrence. (The film already scored $19.7 million from midnight shows.) We don't usually recommend a box office giant as must-see viewing, but this i...

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