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Movie Reviews

  • Indiewire
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    REVIEW | Gay Romance "Weekend" Deserves Its Breakout Status

    Writer-director Andrew Haigh's British drama "Weekend" depicts a fleeting romantic encounter with delicacy and philosophical depth, but its chief appeal is simplicity. Revolving around a brief affair between two young men with vastly different perspectives on life, the film operates on a familiar dy...

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    Joseph Gordon-Levitt on RECollection: Volume 1: "This is the first time that I’ve made something."

    Joseph Gordon-Levitt doesn't seem like he's running a collaborative multimedia studio.

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    Steve McQueen's "Shame" Tops indieWIRE's Poll of Toronto Critics

    The Toronto International Film Festival has wrapped up its 2011 edition, and indieWIRE has entered hundreds of critics grades from 25 folks on the scene in Toronto to our criticWIRE section. Of the 300+ films screening at the festival, Steve McQueen's "Shame" had the highest average. It joined three...

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    REVIEW | "Moneyball" Leaves the Math On the Bench and Hits a Triple

    "Moneyball," the long-gestating adaptation of Michael Lewis' non-fiction tome about Oakland A's general manager Billy Beane's attempt to construct a winning team with mathematical trickery, demonstrates an awareness of the challenging material from the outset. How do you m...

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    REVIEW | Joe Swanberg's "Art History" is Less Cassavetes, More Kevin Smith

    When Joe Swanberg and other "mumblecore" filmmakers began making waves on the festival circuit a few years ago, many considered John Cassavetes to be the progenitor of their seemingly lackadaisical improvisatory style. However, Swanberg's alternately blithe, probing and naive approach to sexuality o...

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    Toronto Critic's Notebook | Coppola's "Twixt" Offers a Metaphor for the Disappointment of TIFF 2011

    To understand the sprawling and messy entity known as the Toronto International Film Festival in its 36th year, look no further than Francis Ford Coppola.

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    Everything You Would Ever Want to Know About Toronto 2011

    This year's massive edition of the Toronto International Film Festival came to a close this weekend with Nadine Labaki’s surprise audience award win for "Where Do We Go Now?." Her drama was just one of over 200 films that screened over the course of the 11-day event.

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    TORONTO REVIEW | "Girl Model" is A Brilliant Exposé of a Dangerous Business

    It should come as no great surprise that a movie called "Girl Model" has a dark side. The particularly startling aspect of this sharp non-fiction exposé from documentarians David Redmon and Ashley Sabin is the eerie, visceral horror the haunts every scene. "Girl Model" portrays a business defined by...

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  • Leonard Maltin
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    Restless—movie review

    Restless is likeliest to appeal to young people who relate to the heightened emotions of its leading characters, a teenage girl and boy who share a budding relationship—and a fascination with death. That they are played by the wonderful Mia Wasikowska, looking like a young Mia Farrow o...

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  • Leonard Maltin
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    Drive—movie review

    Drive arrives with its credentials of cool all set: a hot star (Ryan Gosling) in the lead, a smart supporting cast, a Best Director prize from the Cannes Film Festival, and a stylish retro-noir look. These assets may hoodwink some audiences who don’t stop—or want to stop—...

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