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Movie Reviews

  • The Playlist
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    SXSW '12 Review: Omar Rodriguez Lopez's 'Los Chidos' Is Wild, Wacky, Weird, Bloody & Bold

    Not everyone is going to be ready for the ride through "Los Chidos" that director Omar Rodriguez Lopez offers up. But his willingness to scare off a few of the faint of heart preserves his commitment to a truly bold and unique vision and an aesthetic all his own. This is the fifth feature film of th...

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  • Shadow and Act
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    SXSW 2012 Review - "Dreams Of A Life" (A Harrowing Reconstruction Of A Life From Collected Fragments)

    By now I’m sure we’re all familiar with the story, even if it’s just the broad details of it – young woman dies in her apartment and her body isn’t discovered for a good 3 years, as it lay there putrefying – which actually sounds like it could be a pitch for ...

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    SXSW 2012 Review - "The Raid: Redemption" (Indonesian Actioner Delivers Relentless Bloody Brutality)

    A film that's already developing a cult following, even though it's only commercial exhibits have been on the film festival circuit, starting with a 2011 Toronto Film Festival debut (it's now a Sony Pictures property, scheduled for a US and Indonesia release in March of this ye...

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  • The Playlist
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    SXSW '12 Review: 'The Raid: Redemption' Is A Triumph Of Kicks, Punches & Unrelenting Thrills

    If you ever wanted a feature-length version of the scene from Tony Jaa’s “The Protector” where in one shot he literally fights his way up to the roof of a building filled with baddies, then “The Raid” is the movie for you. Although his two previous films failed to make an impression outside of Indon...

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  • Thompson on Hollywood
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    Now and Then: All About Almodóvar

    The problem with Pedro Almodóvar's "The Skin I Live In" is one of expectation. What we have come to want from him are hues of tomato, fire engine, blood. What he gives us are shades of cream, eggshell, off-white.

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  • Leonard Maltin
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    From Renoir To Ellington: Scanning Recent DVDs

    I haven’t been able to keep up with Twilight Time’s limited-edition DVD and Blu-ray releases since the company launched last year, so it’s ironic that the first disc I’ve spent real time with—Jean Renoir’s 'Swamp Water' (1941)—benefits least from the label’s innovative offering of isolated music tra...

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  • The Playlist
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    SXSW '12 Review: 'See Girl Run' Has A Slightly Too Leisurely Stride

    There's a fine line between delicacy and fragility, between a gentle unfolding and a stubbornly slow series of revelations. That line is what keeps Nate Meyer's "See Girl Run," a midlife romantic drama, from succeeding as well as the great cinematography and talented cast would hav...

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    SXSW '12 Review: "Gimme The Loot" Charismatic Duo Goes For Mischievous Ride, But It Runs Out Of Steam

    Gimme The Loot Premiered at the SXSW Film Festival last night, when I was able to catch the screening.

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  • The Playlist
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    SXSW '12 Review: Reverence Outweighs Insight In Kevin Macdonald's 2 1/2 Hour 'Marley' Documentary

    A long film detailing a tragically short life, on paper, Kevin Macdonald's Bob Marley documentary "Marley" has more than enough of a pedigree to justify its 2 1/2 hour running time. After all, it's a biopic of one of the most influential and evergreen musical pioneers of all time, being brought to u...

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  • Indiewire
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    SXSW REVIEW: 'King Kelly' Is an Intense Found-Footage Indictment of Generation Me

    The found-footage approach to cinematic narrative is no longer epitomized by "The Blair Witch Project." Amateur-quality camerawork has become a part of the vernacular, with the first-person perspective providing an intimate window into human behavior, particularly among the youth culture m...

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