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Movie Reviews

  • Shadow and Act
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    Slamdance 2013 Review: Clever 'Big Words' Is A Well-Acted & Engaging Feature Debut By Neil Drumming

    Premiering at Slamdance 2013 in Utah this past Thursday, Neil Drumming’s feature film debut Big Words has been one of our most anticipated films of the fest’s lineup, and that anticipation is well deserved.

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  • Shadow and Act
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    Sundance 2013 Review: George Tillman Jr's 'The Inevitable Defeat of Mister and Pete'

    Sundance 2013 Review: George Tillman Jr's 'The Inevitable Defeat of Mister and Pete'

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  • Indiewire
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    Sundance Review: Does 'Blue Caprice' Sympathize With the Beltway Snipers?

    From the outset, "Blue Caprice" reaches for authenticity. An opening compilation draws from news reports of the infamous Beltway sniper attacks in which a pair of men picked off random victims for several weeks before authorities finally caught up to them. In spite of this foundation, however, Frenc...

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  • The Playlist
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    Sundance Review: ‘Austenland’ Is A Pleasant Comic Romp That May Leave You Feeling Unfulfilled

    Jane Austen has provided as fertile a ground for adaptation as nearly any author in the last century. From her most beloved works (“Pride & Prejudice” and “Sense and Sensibility") to more modern interpretations (“Clueless,” “Bridget Jones's Diary”), her work has inspired countless filmmakers to try ...

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  • The Playlist
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    Sundance Review: Wise & Mature 'The Spectacular Now' Marked By Strong Performances From Miles Teller & Shailene Woodley

    Sutter Keely (Miles Teller) is the charming, good time guy who lives in the moment. Self-assured, he’s the life of the party, popular and he and his girlfriend Cassidy (Brie Larson) breeze through their high school experience. Sutter and Cassidy are like a teenage power couple that rule parties than...

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  • Indiewire
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    Sundance Review: Jim Mickle's Slow-Burn 'We Are What We Are' Remake Is Quiet, Gross and Better Than the Original

    Writer-director Jim Mickle has steadily established himself as a horror filmmaker with interests that treat the art of shock value with rare maturity. In his feature-length debut "Mulberry Street," he funneled the mold for a cheesy monster movie into a metaphor for gentrification and urban decay; hi...

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  • Indiewire
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    Sundance Review: Moving 'After Tiller' Makes the Case For Third-Trimester Abortions

    "Everything has a risk to it," says the late Dr. George Tiller in the opening moments of "After Tiller." It's a prophetic statement that defines the movie's stance. In 2009, Tiller, one of only five licensed physicians performing third-trimester abortions, was shot to dea...

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  • The Playlist
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    Sundance Review: 'Don Jon's Addiction' Is A Charming & Impressive Directorial Debut From Joseph Gordon-Levitt

    Jon Martello is the quintessential modern-day lothario. He and his friends objectify women, rate them on a scale of one to ten and cruise clubs for chicks that they can bed and discard. Jon, in particular, is exceptionally good at wooing the ladies with his muscles, slick-backed hair and cocky charm...

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  • The Playlist
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    Sundance Review: 'Kill Your Darlings' Illuminates An Uncovered Corner Of Beat Generation History With Mixed Results

    When any filmmaker decides to chronicle a largely undocumented or unknown corner of history revolving around famous cultural figures, a question that can raise its head is: what's underneath the surface that compels the director to make the story?

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  • Indiewire
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    Sundance Review: 'Escape From Tomorrow' Is a Surreal Indictment of Disneyfied Society That Disney Will Never Let You See

    Randy Moore's debut feature is already one of the most talked-about films in recent Sundance history. By filming without permission and portraying Disney World as the ultimate horror show, the question is whether anyone else will ever get to see it.

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