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Movie Reviews

  • Leonard Maltin
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    THE WIZARD OF MGM

    For forty years, A. Arnold “Buddy” Gillespie made movie history as the king of visual effects at MGM. From Tarzan swinging on a supposed vine to a tornado ripping through Kansas in The Wizard of Oz, he and his team created true movie magic.

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  • The Playlist
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    27

    Sundance Review: ‘Narco Cultura’ Is A Disturbing Look At The Mexican War On Drugs & The Idolatry Within

    Since 2006, when the War on Drugs was officially declared in Mexico -- a joint operation by Federal Police and the Mexican military known as Operation Michoacan -- approximately 60,000 known murders have been recorded. At the epicenter of the major narcotics trafficking and drug cartels that ravage ...

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  • Indiewire
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    Sundance Review: Is the Hilarious 'Computer Chess' a Change of Pace for Andrew Bujalski?

    There is an immediate sense of change afoot in "Computer Chess," Andrew Bujalski's fourth feature as writer-director, visible to anyone familiar with his previous work. While Bujalski's influential "Funny Ha Ha" -- along with follow-ups "Mutual Appreciation" and...

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  • Thompson on Hollywood
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    Sundance Review and Roundup: 'Before Midnight'

    The magic alchemy originally conjured 18 years ago by director Richard Linklater and two gifted actors--Ethan Hawke and Julie Delpy, who could sustain scenes across lengthy uncut takes-- finds its third iteration in "Before Midnight." It's a tour-de-force home run that will play like gangbusters in ...

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  • The Playlist
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    Sundance Review: Shane Carruth's Beguilingly Enigmatic 'Upstream Color' May Cause Disorienting Side Effects, Results Will Vary

    Nine years ago, autodidact filmmaker Shane Carruth burst onto the indie scene with the abstruse and complex sci-fi thriller "Primer," which made him a Sundance darling in 2004 when it won the Grand Jury Prize and went on to become a cult hit. The polymath writer, director, actor, musician, editor, p...

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  • Thompson on Hollywood
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    Sundance Review and Roundup: 'Ain't Them Bodies Saints'

    Writer-director David Lowery has been putting in his 10,000 hours over the past few years, working as an editor and cinematographer for hire on many micro-indie projects, as part of the growing multi-tasking barter indie culture. SXSW has championed the Texas filmmaker, playing his shorts and featur...

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  • Thompson on Hollywood
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    Sundance Review and Roundup: Park Chan-Wook's Creepy 'Stoker'

    There's a risk every time a noted foreign filmmaker takes a stab at an English-language movie. Clearly, Korean filmmaker Park Chan-wook ("Old Boy") knows his Hollywood history: he admits that Alfred Hitchcock not only inspired him to become a filmmaker but that "Psycho," "Shadow of a Doubt," and "Th...

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  • Indiewire
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    Sundance Review: Why Shane Carruth's Provocative 'Upstream Color' Will Baffle You in the Best Ways

    Shane Carruth's 2004 time travel drama "Primer" provoked endless scrutiny for its heavy reliance on tech speak that the director refused to dumb down. His long-awaited followup, "Upstream Color," also maintains a seriously cryptic progression that's nearly impossible to comprehend in precise terms, ...

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  • The Playlist
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    Review: 'I Am Not A Hipster' Charming, Deep Dive Dramedy Into The Effects Of Grief On Creativity

    "I Am Not A Hipster" opens with indie rock darling Brooke Hyde (Dominic Bogart) bailing on the opening number of his show to puke up his one-too-many whiskey shots in the bathroom of the local venue, stranding his band onstage. Clearly this guy, while talented (from the little bit we get to hear of ...

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  • The Playlist
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    Sundance Review: David Gordon Green Returns To Form With The Meditative, Funny & Sublime 'Prince Avalanche'

    It's the summer of 1988 and a violent wildfire has swept through Texas, destroying 43,000 acres and some 16,000 homes. In the wake of this horrific devastation -- a freak of nature that no experts can explain -- two highway road crew workers spend the season in isolation, painting and repairing the ...

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