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Movie Reviews

  • Shadow and Act
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    Slamdance 2013 Review: Psycho Thriller 'Vipaka' Aims To Thrill But Underwhelms

    Directed by French/Lebanese director Philippe Caland (Boxing Helena), the psychological thriller Vipaka had its premiere at the Slamdance Film Festival today.

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  • The Playlist
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    Sundance Review: 'Crystal Fairy' Is A Hilarious Drug-Fueled Road Movie & A Welcome Return For Michael Cera

    "Guess if Michael Cera's dead, it's not a total loss right?" Danny McBride says in probably the funniest moment in the teaser for “This Is The End,” a new apocalyptic comedy starring Cera and McBride along with an all-star roster of mostly Apatow-bred comedians all playing distorted versions of them...

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  • Thompson on Hollywood
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    Sundance Sex in Cinema: Gordon-Levitt's 'Jon Don's Addiction,' Winterbottom's 'The Look of Love'

    Michael Winterbottom's "The Look of Love" is hardly the most daring of the sexually explicit movies on display at Sundance this year. Joseph Gordon-Levitt made his debut as writer-director with "Don Jon's Addiction," a New York blue collar comedy in the vein of "Saturday Night Fever" in which JGL's...

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  • The Playlist
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    Sundance Review: Michael Winterbottom's Swinging 'The Look Of Love' Fails To Titillate With Shallow, Empty Story

    While stylishly capturing the verve, exotica, and free-spirited mojo of swinging '60s London, uber-prolific English director Michael Winterbottom's portrait of legendary U.K. smut impresario Paul Raymond is otherwise a shallow misfire.

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  • The Playlist
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    Sundance Review: 'S-VHS' Is An Uneven, Occasionally Thrilling Sequel To The Horror Anthology

    Last year, the indie horror anthology "V/H/S" was released and promised to be chock full of truly in-your-face terror – these were fearless directors, given complete creative freedom, and squeezed together under a tight, blood-soaked package. Of course, the promise of "V/H/S" and the actual movie it...

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  • Indiewire
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    Sundance Review: 'Blackfish' Ensures You'll Never Go to SeaWorld Again

    Nobody from SeaWorld agreed to an interview for "Blackfish," Gabriela Cowperthwaite's searing take on the theme park's mistreatment of killer whales and the dozens of deaths that have resulted from it. Instead, the majority of its subjects are ex-SeaWorld trainers frustrated by the negligence they w...

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  • SydneysBuzz
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    When Are Films Political? Inequality For All

    In lectures, books, and years of commentary, former labor secretary and current UC Berkeley Professor Robert Reich has argued passionately that widening income inequality poses one of the most severe threats to our economy and our democracy.

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  • The Playlist
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    Sundance Review: Felicity Jones & Guy Pearce Are Tremendous In The Flawed But Beautiful 'Breathe In'

    Intimate, expressive, agonizing and beautifully rendered, director Drake Doremus' third feature-length effort, "Breathe In," will be familiar to those that know the indie filmmaker's small, but already distinctive oeuvre. While similar in tone and style, his latest effort is like the darker cousin t...

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  • The Playlist
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    Sundance Review: 'It Felt Like Love' Captures The Beauty & Confusion Of Burgeoning Female Desire During A Brooklyn Summer

    The debut feature film from writer/director Eliza Hittman, "It Felt Like Love," is a poetic, expressive exploration of a young girl's sexuality during one hot Brooklyn summer. Lila is lonely and inexperienced, tagging along with her friend Chiara and her boyfriend Patrick as they explore Rockaway be...

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  • Indiewire
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    Sundance Review: James Franco Discusses His Sexuality (And Yours) In 'Interior. Leather Bar'

    "Interior. Leather Bar" is an experimental collaboration between queer filmmaker Travis Mathews and James Franco that aims to reenact the 40 minutes lost from William Friedkin's "Cruising." As a fleeting essay on sexual biases, what exactly are the filmmakers trying to say?

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