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Movie Reviews

  • The Playlist
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    Review: 'In Vogue: The Editor's Eye' A Flip Through The Editorial History Of The Iconic Fashion Magazine

    It might be hard to believe, but 2012 marks the 120th birthday of Vogue magazine. When it first started, there were no photographs, just illustrations, and a focus on society women. When Condé Nast took over in 1909, things changed, with photography introduced and fashion becoming the focal p...

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  • Indiewire
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    Out This Week: 10 Reviews of New Indie Releases From 'Cheerful Weather at the Wedding' to 'Waiting for Lightning'

    This weekly column is intended to provide reviews of nearly every new release, including films on VOD (and in certain cases some studio releases). Specifics release dates and locations follow each review.

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  • Thompson on Hollywood
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    Review: Moving, Lyrical 'Kauwboy' Could Ride an Oscar Dark Horse

    “Kauwboy,” the Netherlands’ official Oscar entry and recent winner of the European Film Awards Fipresci prize, finds similarity in another 2012 Foreign-Language submission, Ursula Meier’s “Sister,” and last year’s enigmatic Cannes Grand Jury winner from the Dardenne brothers, “Kid with a Bike.” Each...

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    Marrakech ‘12 Review: Bahman Ghobadi’s ‘Rhino Season’ Makes Good On Neither The Politics Nor The Poetry Of Its Premise

    Having caused something of a stir with his roughshod, guerilla-style 2009 docudrama about the Iranian underground music scene “No One Knows About Persian Cats,” director Bahman Ghobadi appears to have done a stylistic 180 with his new movie “Rhino Season.” Inspired by the story of a Kurdish poet fri...

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    Review: 'Lay The Favorite' A Comedy That's An Empty Bet

    “You can't blame Stephen Frears for trying” seems to be the mantra for "Lay the Favorite," a mild romp through the T&A world of Las Vegas, gambling and literary adaptation. After all, "High Fidelity" is an iconic film to obsessive nerds (Need proof? See: every...

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  • Thompson on Hollywood
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    Review Roundup: Damon & Van Sant Fracking Drama 'Promised Land' Lacks Subtlety

    "Promised Land" is Matt Damon's third teaming with director Gus Van Sant, who jumped into directing the film at the last minute after Damon decided he couldn't direct the film that he wrote with John Krasinski. We know that Van Sant is a capable director--nothing is wrong with his handling of this m...

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  • Thompson on Hollywood
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    Review Roundup: Dustin Hoffman's 'Quartet' is Genial Escapist Fun

    Dustin Hoffman's genteel directorial debut "Quartet," starring Maggie Smith and a legion of other notable Brit actors as members of a musicans' retirement community, will play best for music-loving Anglophiles who enjoy the company of wily and entertaining British seniors. Yet again, Dame Smith stea...

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    Review: 'Hyde Park On Hudson' Is A Lightweight & Toothless Crowd-Pleaser

    At 61 years of age, the presumably hard-living Bill Murray conservatively only has two more decades of work left in him. So perhaps we all want him to really dazzle us with some meaty roles and not waste his time with middling fluff like Roger Michell's "Hyde Park on Hudson," a moderately pleasant b...

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    With 'Promised Land,' Gus Van Sant Channels Old-Fashioned Message-Mongering With Mixed Results

    At its best, Gus Van Sant's "Promised Land" channels environmental politics into an agreeable drama about small town America facing down the forces of capitalist greed. In lesser moments it trumpets that tension with a complete disregard for the powers of subtlety. Co-written and starring Matt Damon...

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    Review: 'Deadfall' Starring Eric Bana & Olivia Wilde Is Trapped In A Blizzard of Coincidence & Two-Dimensional Characters

    "Deadfall" starts off strong enough – three criminals, led by Addison (Eric Bana) and his sexy sister Liza (Olivia Wilde) speed away from some unspecified job (it's later revealed to be a casino heist). It's icy out and their driver (the only black character in the whole movie) overcompensates, avoi...

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