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Movie Reviews

  • Indiewire
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    Critic's Notebook: Why 'Easy Rider' Still Matters 45 Years Later

    On Feb. 23, 1968 -- almost exactly 45 years ago -- in the midst of the Mardi Gras festivities in New Orleans, Dennis Hopper began shooting a low-budget film about two drug-dealing bikers who hit the road for the Big Easy and take an acid trip.

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  • The Playlist
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    Review: 'Girls' Star Alex Karpovsky's 'Red Flag' Is A Hilarious Meta Dark Comedy That Showcases Some Promising Talent

    Watching “Red Flag” at a film festival is a delightfully meta affair, a darkly funny autobiographical road movie from "Girls" and "Tiny Furniture" star Alex Karpovsky. Yes, he's not just one of Dunham's boys on the hit HBO show, he's also a promising filmmaker in his own right, and he plants his 'Fl...

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  • The Playlist
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    Review: 'Snitch' A Big, Dumb Action Movie Masquerading As Important Social Drama

    Dwayne Johnson, a wrestler-turned-actor formerly known as The Rock, is an oversized personality more befitting a cartoon than a live action movie. He's got a frame that can barely fit through a traditional doorway and an unparalleled ability to convey a host of emotions just in the way that he choos...

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  • Thompson on Hollywood
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    Obit: Author Donald Richie Boosted Japanese Cinema

    Donald Richie, who spent more than 60 of his 88 years in Japan and introduced the English-speaking world to post-World War II Japanese cinema, died February 19 in Tokyo. He is best known for his writings on the great Japanese directors Akira Kurosawa and Yasujiro Ozu.

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    Now and Then: In 'For Ellen,' the Many Faces of Paul Dano

    Put a quarter in the jukebox and the rocker Joby Taylor (Paul Dano) transforms. His loping gait diffuses into trance, a manic, writhing riff on his stage persona. It's a conversion experience of sorts, fittingly enough: "For Ellen" is a tale of many metamorphoses.

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    5 Films to Watch From the 2013 Film Comment Selects Series

    For 13 years, the editors of Film Comment magazine have presented an annual screening series of diverse cinema at the Film Society of Lincoln Center, much of which has garnered acclaim on the festival circuit but hardly anywhere else. Here are five highlights from this year's lineup.

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  • Shadow and Act
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    PAFF 2013 Review - Shola Lynch's Sobering, Candid 'Free Angela & All Political Prisoners'

    Question: You had a pretty bourgeois and comfortable childhood, in Birmingham; and so did your sister [Angela]; can you trace the development of someone from that kind of background into a revolutionary and Marxist person?

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    How 'Rubberneck,' 'Red Flag' and 'Supporting Characters' Illustrate the Versatility of Alex Karpovsky

    Alex Karpovsky is a man of considerable talent whose time has come. Lost in the hype of the so-called mumblecore movement when it first erupted out of the SXSW scene, Karpovsky was not as prolific or media-savvy as Joe Swanberg or the Duplass brothers, but his interests as both actor and filmmaker h...

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  • Shadow and Act
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    PAFF 2013 Review: Charles Murray's Spoken Word Love Story 'Things Never Said'

    In his feature directorial debut, longtime television writer/EP Charles Murray takes a turn from TV action-drama to deliver a decidedly black love story reminiscent of the late '90s heyday of the genre.

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  • Shadow and Act
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    PAFF 2013 Review: Eugene Jarecki’s 'The House That I Live In'

    PAFF 2013 Review: Eugene Jarecki’s 'The House That I Live In'

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