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Celebrating 17 Years of Film.Biz.Fans.

Movie Reviews

  • The Playlist
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    SXSW Review: 'Milius' Is A Rousing Tribute To The Warrior Poet Of Mainstream Hollywood

    In the opening moments of “Milius,” a hellzapoppin’ new documentary about John Milius, a genius tyrant and warrior poet of '70s and '80s mainstream Hollywood who wrote and directed testosterone-soaked epics like “Conan the Barbarian” and “Red Dawn,” Sam Elliott, in the same laid back butterscotch dr...

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  • The Playlist
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    SXSW Review: VHS Doc 'Rewind This!' Is An Affectionate Tribute To A Bygone Era

    DVDs are filling up bargain bins everywhere, Blu-ray never really took off the way it was supposed to and digital streaming and downloads will soon usurp all physical media for film the way it has for the music industry. And though VHS remained in production as recently as a few years ago, it seems ...

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  • Indiewire
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    Critic's Notebook: Why 'Ginger and Rosa' Is Sally Potter's Best Film

    After a diverse and lengthy early career that encompassed experimental film, dance, theater and music, and following the success of her 1992 arthouse hit "Orlando," Sally Potter settled into a semi-sustained period of more-or-less narrative filmmaking, directing six pictures from "Orlando" through h...

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  • Thompson on Hollywood
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    Weekend Preview: Promising and Diverse Film Fare All Around, 'From Up on Poppy Hill' to 'Ginger & Rosa' and 'Spring Breakers'

    This weekend sees a number of well-reviewed films in limited release. Sally Potter's lovely coming-of-age drama "Ginger & Rosa" stars a remarkable Elle Fanning nimbly handling the role of a budding teen poet struggling to come to terms with her family's latest break-up and the Cuban Missile Cris...

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  • Indiewire
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    Review: Xavier Dolan's 'Mother' Marks the Birth of a New Talent

    "I Killed My Mother" opens in U.S. theaters this week. Here's our review from 2009.

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    Review: Matteo Garrone's Lightweight & Lifeless 'Reality' Is A Disappointment

    The relationship between audiences and reality television has shifted to some degree over the past decade (or longer). Where early shows were once positioned as voyeuristic/documentary style looks at Real People, it quickly became clear to those in front of the camera, behind it and at home watching...

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  • The Playlist
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    SXSW Review: 'I Give It A Year' Is A Woefully Inept Deconstruction Of Romantic Comedies

    There's a certain amount of winky irreverence built into "I Give It A Year," based on its title alone, which is something that people snarl, usually at the weddings of people who they feel are fundamentally incompatible. The title suggests that, while it might appear to be a bouncy romantic comedy, ...

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  • The Playlist
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    Review: 'My Amityville Horror' Is A Disturbing Mixture Of The Paranormal And The Psychological

    In 1975, George and Kathy Lutz (along with Kathy's three children from a previous marriage), moved into a huge house in Amityville, a tony Long Island suburb. In less than a month, the family would abandon their possessions and leave the house, later claiming it had been the source of a number of su...

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  • Shadow and Act
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    Review: Stylish, Atmospheric War Vet Action Drama 'The Kill Hole' Anchored By Gripping Performances

    Kill Hole opens theatrically in New York tomorrow, March 15th, courtesy of RBC Film Group and Alternate Ending Studios. It'll expand to LA and Portland in successive weeks.

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  • Indiewire
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    SXSW Review: 'Euphonia' Makes You Hear the World a Different Way

    In the grand tradition of "The Conversation" and "Blow Out" -- but produced with far more modest means -- "euphonia" uses sound to heighten the sense of its characters and audience alike. Danny Madden's microbudget tale of a curious teenager (Will Madden) who grows obsessed with a recording device r...

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