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Movie Reviews

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    TIFF Review: 'Man Of Tai Chi' Starring Keanu Reeves

    Everything about “Man of Tai Chi” is awesome. Not awesome in the way you’re familiar, but awesome in the way Stephanie Zacharek described in her delightful review of “Inception” a couple of years back. “We've entered an era where movies can no longer be great,” she said, describing Christopher N...

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    Review: 'Mother of George' Is The Best Film I’ve Seen Thus Far This Year (Opens Friday)

    Every year I pick a favorite film, among the many I see at the Maryland Film Festival, and this year it's a truly remarkable one—Mother of George.

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    Toronto Review: Does 'Once' Director John Carney's Melodic Keira Knightley Vehicle 'Can a Song Save Your Life?' Criticize the Music Industry Or Celebrate It?

    John Carney's low budget 2006 musical romance "Once" was a breakout hit that foregrounded the emotional complexities of its central lovers with delicate tunes. By contrast, "Can a Song Save Your Life?" -- which contains several high profile actors and landed a lucrative deal with The Weinstein Compa...

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    'Mandela: Long Walk to Freedom' Review Roundup: Idris Elba Gives Towering Performance, but Film Doesn't Rise to the Occasion

    Critics thus far generally agree that Idris Elba turns in a fine performance as the eponymous lead of Justin Chadwick's biopic "Mandela: Long Walk to Freedom," which recently premiered at TIFF. They also generally agree that the film itself isn't up to Idris' performance, that it's overly "reverenti...

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    Toronto Review: Godfrey Reggio Celebrates 30 Years Since 'Koyaanisqatsi' With Extraordinary Philip Glass-Scored 'Visitors'

    Thirty years have passed since the release "Koyaanisqatsi," Godfrey Reggio's first installment in his memorably abstract Qatsi trilogy, which captured the complexity of civilization through a gripping rush of images aided by an equally potent Philip Glass score. While the power of that project hasn'...

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    TIFF Review: Wild & Vulgar 'Dom Hemingway' Starring Jude Law

    "A man with no options suddenly has all the options in the world," goes the liquor-soaked advice of Dom Hemingway (Jude Law). And while he admits that he has no idea what that actually means, he nonetheless lives that credo to the fullest in Richard Shepard's wickedly wild and vulgar "Dom Hemingway....

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    Recap: 'Breaking Bad,' Season Five, Episode 13 'To'hajiilee'

    Last week's episode, the sublimely conflicted "Rabid Dogs," ended with a pair of calls: Jesse (Aaron Paul), consumed with paranoia, dialed Walt (Bryan Cranston) with a promise: he'd be coming for him where it really mattered. Moments later, Walt, made a call of his own, to Todd (Jesse Plemons), info...

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    TIFF Review: Nicole Holofcener's 'Enough Said' Starring James Gandolfini & Julia Louis-Dreyfus

    The one constant surprise about getting older is that the ongoing lesson you soon learn is that you'll never figure it all out. Whatever you seemed confident and sure about at twenty becomes more nuanced by thirty and by the time you're seeing forty on the horizon, what was important two decades ago...

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  • Caryn James
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    Lynn Shelton's Family Close-Up, 'Touchy Feely'

    As we know from moisturizer commercials -- and are reminded by an unlikely source, Lynn Shelton's Touchy Feely -- extreme close-ups of skin are not pretty, full of cracks and lines and bumps. We see these shots because Rosemarie De Witt plays Abby, a massage therapist whose emotional life is qu...

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    Venice Review: Amos Gitai's Shot-In-One-Take 'Ana Arabia'

    If there was one stylistic trend at Venice this year, it was bravura, lengthy shots. The festival kicked off with the twenty-minute opening shot of "Gravity," and the rest of the festival sometimes felt like some kind of who-can-hold-a-shot the longest competition, with Steven Knight's "Locke" and T...

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