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Movie Reviews

  • Shadow and Act
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    2013 Tribeca Film Review: Whoopi Goldberg's 'Moms Mabley: I Got Somethin' To Tell You'

    2013 Tribeca Film Review: Whoopi Goldberg's 'Moms Mabley: I Got Somethin' To Tell You'

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  • Shadow and Act
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    2013 Tribeca Film Review: "Flexing" Goes Mainstream in 'Flex is Kings'

    I have always found the body-contorting dance form of street dancing, contemporarily known as “flexing”, to be a creative and exhilarating art form. The documentary Flex is Kings, directed by Deidre Schoo and Michael Beach Nichols, manages to reaffirm those original perceptions of the very compe...

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  • The Playlist
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    Tribeca Review: 'Lenny Cooke' Is The 'Death Of A Salesman' Of Sports Documentaries

    Early on in failed-prodigy documentary "Lenny Cooke," the titular basketball star, then in high school, is caught off-guard in one of the film's many revealing passages. He is discussing the 2001 NBA Draft, which made history with three high schoolers taken in the top four selections. Before the dra...

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  • Shadow and Act
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    Toronto Jewish Film Fest, Spotlight On Africa - '400 Miles to Freedom'

    “400 Miles to Freedom” tells a collective story of Jews from the African Diaspora. Leading in telling this amazing and often unheard of story, is the story of a young man, film director Avishai Mekonen. At 10 years old, he was kidnapped and held captive in Sudan; while his family lived in Ethiopia (...

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  • The Playlist
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    Tribeca Review: 'Dark Touch' Matches Pitch Black Subject Matter To Fangoria-Style Visuals

    Director Marina De Van has had a curious career, emerging from the shadows of collaborator Francois Ozon. Her first two films were strongly indebted to a culture of Gaellic body horror that plumbed greater depths than the more commercial sadism expressed in films like "Martyrs" and "Inside," with he...

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  • The Playlist
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    Review: 'Oconomowoc' Is More Coming-Of-College-Age Quirk You've Seen Before

    Bust out your bemused deadpan, it’s time for “Oconomowoc!” This excessively low-temperature film is yet another example of an indie film wanting to have its cake and eat it too: an arch, knowing approximation of indie aesthetics that both mocks and embraces its forebearers in a way that pretends the...

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  • Criticwire
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    Tribeca and Beyond: Criticism From the Indiewire Community

    Here's our weekly collection of the film criticism that appeared throughout the Indiewire Blog Network. The latest edition is heavy on "Oblivion" and Tribeca Film Festival opening night selection "Mistaken For Strangers," but also includes a number of other recent or upcoming releases and Tribeca Fi...

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  • The Playlist
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    Tribeca Review: 'Six Acts' Delves Into The Darkness Of Casual Sex

    There aren't a whole lot of words to describe that feeling of intimacy where everyone knows each other in the, ah, Biblical sense, but the feelings are not necessarily all-around mutual. Such sentiment pollutes the lives of characters at the heart of "Six Acts," a powerful Israeli film that follows ...

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  • Thompson on Hollywood
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    Weekend Preview: Tom Cruise's 'Oblivion' a Mediocre Mission, Francois Ozon's 'In the House' Liked by Critics

    Tom Cruise apocalyptic vehicle "Oblivion," which is expected to score about $30 million when it opens wide this weekend, is a rare thing these days: a movie that arrives full-blown from the head of its filmmaker. While critics agree that Joseph Kosinski's spectacular piece of grown-up sci-fi boasts...

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  • Thompson on Hollywood
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    Can Cruise and Universal Make Kosinski's Sci-Fi 'Oblivion' a Global Hit? Review and Roundup

    Tom Cruise went overboard praising Universal execs at the premiere for Joseph Kosinski's "Oblivion" (April 19). "I've been doing this a few years now," he told the Dolby Theater crowd. "Making films today, it takes a village, as artists it's about problem solving." You need the studio behind you, is...

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