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Movie Reviews

  • Thompson on Hollywood
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    The Best Supercuts of 2012: Heist Films, PT Anderson's SteadiCam, and the Manic Pixie Dream Girl [Videos]

    Much of the time, supercuts – videos that mash together various clips around a certain theme – don’t gain any lift-off beyond fan obsession. However, when movie supercuts do transcend this compulsion, they can achieve something incisive, critical, hilarious, or glorious. In the best of supercuts,...

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  • Thompson on Hollywood
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    Book Review: David Thomson's 'The Big Screen'

    In the epilogue to “The Big Screen,” his one-volume history of the movies, David Thomson warns the reader: “You should be ready for the loss of theaters and video stores….Be prepared for the word ‘movie’ being replaced by ‘bits’ or ‘bites’ or ‘viddies’ (a term Anthony Burgess used in 'A Clockwork O...

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  • Shadow and Act
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    Boston Globe Film Critic Likens Samuel L. Jackson's 'Django' Character To Black Republicans

    To let you in on something, we had decided that we had been Django'd out here on S & A; But wouldn't you know it? Something comes along that caught my eye, and I just couldn't help myself. The film is like the gift that just keeps on giving.

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  • Thompson on Hollywood
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    Critics Weigh in on Worst Movies of 2012

    Critics let the fur fly when they unleash their scorn on the year's worst movies, the dregs at the bottom of the barrel, the flicks that really waste their time. For your reading pleasure we present an assortment of "Worst Movies of the Year" lists. Our own is right here.

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  • The Playlist
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    Review: Dustin Hoffman's 'Quartet' Is An Amiable, Harmless Showcase For Brit Acting Talent

    Dustin Hoffman has taken 45 years as both one of our most acclaimed actors, and as a major box office draw, to step behind the camera. In fact, that's not strictly true; Hoffman was the original director of his terminally underrated 1978 crime picture "Straight Time," but struck by indecisiveness ea...

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  • Leonard Maltin
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    PROMISED LAND

    I give this movie’s costars and creators, Matt Damon and John Krasinski, credit for making a “message movie” as palatable and entertaining as 'Promised Land.'

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  • Thompson on Hollywood
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    'Django Unchained': Why Spike Lee Refuses to See It, More Reviews UPDATED

    Quentin Tarantino's "Django Unchained," which opened Christmas Day, played well at the DGA screening I attended, as well as the subsequent L.A Academy screening. Audiences are flocking to see it (we'll do the box office numbers on Thursday) and critics love it (89% on Rotten Tomatoes, 80% on MetaCr...

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  • Thompson on Hollywood
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    'Les Miserables' Review Round-Up; Detractors Could Hurt Musical's Oscar Bid

    Christmas Day saw two new openings of award-season contenders, "Les Miserables" and "Django Unchained." (We will parse their box office on Thursday.) But judging from social media chatter as well as reviews, it is clear that Tom Hooper's approach to the musical may be too radical for many moviegoers...

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  • The Playlist
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    Review: ‘Tabu’ Is Magic Realism In Rapture, As Only The Language Of Cinema Can Tell It

    The following article is a reprint of our review that ran during the Toronto Interntional Film Festival. Keep an eye on this one too. It's been released very late in the year, but we suspect you'll be seeing it on many of our top 10 lists.

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  • Indiewire
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    Critical Consensus: Carrie Rickey and Anne Thompson Discuss 'Django Unchained,' 'Les Miserables' and Other Fall Movies

    Critical Consensus: Carrie Rickey and Anne Thompson Discuss 'Django Unchained,' 'Les Miserables' and Other Fall Movies

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