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Movie Reviews

  • Thompson on Hollywood
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    Now and Then: 'The Getaway' and 'Drive' — Heist Films with Arthouse Roots

    To call "The Getaway" (1972) a heist flick is like calling "Jaws" a film about fish: technically speaking you'd be right, but you'd also be missing the point entirely. Sam Peckinpah's Steve McQueen/Ali MacGraw vehicle is a tough, mean, innovative picture in which "getting away" has to do with a lot...

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  • The Playlist
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    Review: 'The Rebound' Starring Catherine Zeta-Jones Is A Loose Ball That No One Will Want To Grab

    You don't need to see many movies to understand that in Hollywood, once a woman hits forty, she suddenly lacks relevance. She's not sexy, she's not assertive, and if she doesn't have a man, there must be something wrong with her. Just recently, Twitter users collapsed under a Super Bowl-related aval...

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  • Leonard Maltin
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    Wartime Britain – Three Complete Dramas on DVD

    Stories inspired by real-life events of World War Two continue to inspire dramatists and filmmakers, especially in the UK…and I never tire of watching them. Here are three solid examples recently released as a boxed DVD set by Acorn Media.

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  • Thompson on Hollywood
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    'Luck' Episode Two: Dustin Hoffman Is Still Trying to Get Traction

    Does it say something very good about television or something very bad about movies that Dustin Hoffman is appearing in (and producing) “Luck”?

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    MORE: Reviews, Reviews, TV, HBO
  • Press Play
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    SIMON SAYS: THE WICKER TREE needed a different director

    Robin Hardy’s "The Wicker Tree" could have been a much stronger film had it not been directed by Robin Hardy. Which is a weird thing to think when you actually waste time thinking about it. Hardy is the director of the original 1973 film "The Wicker Man" and the author of "Cowboys for Christ," a the...

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  • Indiewire
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    Critic's Notebook: 'Chronicle' Is Fine, But a Better Alternative Awaits in 'Me @the Zoo'

    A new movie tracks the plight of young people growing up in today's media-saturated environment by allowing its subjects to control the camera. At the center of the story, an alienated teen documents his own life as he emerges from his shell with the realization that he possesses special powers.

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  • The Playlist
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    Review: 'The Union' Is A Love Letter To Leon Russell From Cameron Crowe & Elton John

    A documentary portrait by filmmaker and avid music lover Cameron Crowe ("Almost Famous," "Pearl Jam Twenty"), "The Union" has a pretty simple concept: chronicling the making of The Union, the eponymously titled album by Elton John and the ultimate rock & roll session man Leon Russell, a musician als...

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  • The Playlist
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    Rotterdam Review: Takashi Miike's 'Ace Attorney' A Stylish, Bizarre Video Game Adaptation & Legal Satire

    Takashi Miike made his first big international splash in Rotterdam, with "Audition" in 2000, and then began a run of productivity that few filmmakers, even famously prolific ones, can match. This is the man who made "Visitor Q," "Ichi the Killer" and "The Happiness of the Katakuris" in the same year...

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  • Indiewire
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  • Indiewire
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    What to See, What to Skip: New Reviews This Week

    This week has a large variety of films opening with something for virtually every audience. The horror genre is especially well represented with Ben Wheatley's "Kill List"; Ti West's "The Innkeepers"; and Daniel Radcliffe's first post-Potter role in "The Woman I...

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