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Celebrating 17 Years of Film.Biz.Fans.

Movie Reviews

  • The Playlist
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    Review: 'Coldplay Live 2012' Endearingly Captures The Energy Of The World's Biggest Band

    If there's a way you can be the world's biggest pop band and still be underrated, well, Coldplay have figured out how. Their five albums, which always manage to be solidly artistic and hugely accessible, have sold tens of millions of copies, no small feat in the age of the crumbling music industry, ...

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    Doc NYC Review: 'My Amityville Horror' Is A Disturbing Mixture Of The Paranormal And The Psychological

    In 1975, George and Kathy Lutz (along with Kathy's three children from a previous marriage), moved into a huge house in Amityville, a tony Long Island suburb. In less than a month, the family would abandon their possessions and leave the house, later claiming it had been the source of a number of su...

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    Rome Film Festival Review: Paul Verhoeven's Crowdsourced Television Drama 'Tricked' Is An Amusing 'Basic Instinct' Throwback

    The genesis of "Tricked" sounds like something Lars Von Trier might have dreamed up as part of "The Five Obstructions."

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    Rome Film Festival Review: Why the Funny and Familiar 'Populaire' Panders to U.S. Audiences

    "Populaire" is a romantic farce made in France, but it unashamedly has one eye on American audiences. Even the token North American cast member Shaun Benson can't help but comment as the action moves from Paris to New York that it's "America for business and France for love."

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    AFI Fest Review: Kim Nguyen's 'War Witch' a Haunting, Brutal Surrealist Fable Matched by Powerful Lead Performances

    Before any political or societal context enters the brutal cinematic depictions seen in “Come and See” and “City of God,” each effort can first speak clearly enough from the image of a child holding a firearm. Gawky, nervous, and with an expression of terrified power, the iso...

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  • Shadow and Act
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    'Scott Joplin' The Movie (How Not To Make A Film About A Black Composer)

    With all our recent articles of late regarding films about black classical composers such as Julius Eastman (HERE) and George Bridgetower (HERE), it immediately got me thinking about that Scott Joplin film starring Bille Dee Williams with Margaret Avery, Clifton Davis and Art Carney.

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  • Thompson on Hollywood
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    RIP Film Critic Elliott Stein

    When I worked at my first journalism gig as associate editor at Film Comment Magazine back in the 80s, Elliott Stein was one of my favorite regular contributors. He was erudite about world cinema, an omnivorous global cinephile and historian who knew more about Asian cinema than anyone I knew.

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    DOC NYC Review: 'Shenandoah' A Sharp Look At A Community With Skeletons In The Closet

    There’s a good chance you haven’t heard of Shenandoah, PA, but its landscape and demeanor should feel familiar. Formerly a bustling coal-mining town, the area is now a bit destitute... but you wouldn’t know it from the warmth emanating from its inhabitants, nor from the exuberant passion the communi...

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  • Thompson on Hollywood
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    Kubrick's Early Odyssey: 'Fear and Desire' and 'Killer's Kiss'

    As the much-anticipated Stanley Kubrick exhibition opened at LACMA on November 1, the museum hosts a parallel film retrospective of the director's 13 feature films, screening in chronological order. This puts Kubrick's two least-seen yet remarkable works, "Fear and Desire" and "Killer's Kiss," as th...

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    Doc NYC Review: 'Persistence of Vision' Is A Heartbreaking Account Of A Thwarted Animated Masterpiece

    When Steven Spielberg and Robert Zemeckis needed a team to provide animation for their ambitious hybrid "Who Framed Roger Rabbit," they didn't turn to their own team at Disney Feature Animation who, with "Snow White and the Seven Dwarves," singlehandedly invented the animated feature (and was respon...

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