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Movie Reviews

  • Indiewire
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    REVIEW | In "Anonymous," Roland Emmerich Revises Shakespeare; We Advise You Wait For Joss Whedon

    In "Anonymous," Roland Emmerich submits William Shakespeare's legacy to the same grim fate as the White House in "Independence Day" and the Sistine Chapel in "2012." Here, he rips apart the playwright's legacy with the fringe theory that argues the true author was the 17th Earl of Oxford, Edward de ...

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    REVIEW | "Rum Diary," Johnny Depp's Homage to Hunter S. Thompson, is Flawed But Earnest

    "Vividly average" is the term used to describe the Puerto Rican readership of a raggedy newspaper in "The Rum Diary," Bruce Robinson's adaptation of the early Hunter S. Thompson novel. It could also describe the resulting movie. Depp coaxed Robinson out of retirement to write and direct "The Rum Di...

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    We Interview the Director of "A Serbian Film," Now on DVD (And Yes, the Movie Deserves Its Rep)

    If there's one film that rivals the controversy surrounding "The Human Centipede II: Full Sequence," it's "A Serbian Film" by first-time director Srdjan Spasojevic. Since premiering on the festival circuit last year, it's enraged and provoked for its gruesome depiction of rape, child sodomy, murder ...

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  • Leonard Maltin
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    A Lost ‘Pharaoh’—Found

    The archeologists who extracted artifacts from King Tut’s Tomb couldn’t have been any more excited than the movie lovers who witnessed the rebirth of Ernst Lubitsch’s The Loves of Pharaoh Tuesday night at the Egyptian Theatre in Hollywood, on the exact date of the movie palace’s 89th anniversary. Piecing this 1922 silent film epic back together has been a formidable project for German film preservationist Thomas Bakels of Alpha-Omega, who told me it was even more difficult than restoring Metropolis! It took five years to complete the digital reconstruction and clean-up, even after the Munich Filmmuseum had gone...

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    REVIEW | "Oranges & Sunshine" Underwhelms, But Puts Jim Loach on the Map

    The true story that inspired "Oranges & Sunshine," the directorial debut of Jim Loach, begs for dramatic interpretation. Set in 1986 Nottingham, it follows social worker Margaret Humphreys (Emily Watson) as she uncovers a hidden multi-decade history in which the United Kingdom deported children to A...

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  • Leonard Maltin
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    Martha Marcy May Marlene—movie review

    Even if it had nothing else to offer, Martha Marcy May Marlene would be worth seeing to witness the debut of an extraordinary young actress, Elizabeth Olsen. But writer-director Sean Durkin’s feature, which earned him a Best Director prize at this year’s Sundance Film Festival, h...

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  • Leonard Maltin
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    Oranges And Sunshine—movie review

    In telling the story of a true-life unsung hero a filmmaker faces many pitfalls. How often have we seen well-intentioned movies become sanctimonious and lose their dramatic edge? No such accusations can be leveled at Jim Loach’s Oranges and Sunshine, an impressive film that documents a...

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  • Leonard Maltin
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    Le Havre—movie review

    Le Havre is Finland’s official entry for this year’s Foreign Language Oscar, as it is the work of celebrated Finnish writer-director Aki Kaurismäki—yet it takes place in France, where it was shot with a nearly all-French cast. Let us agree, then, not to get caught up...

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    What to See, What to Skip: New Reviews This Week

    Lots of high-profile indie releases opening in theaters this week, including Sean Durkin's deeply disquieting "Martha Marcy May Marlene," Aki Kaurismaki’s endearing “Le Havre” and the lovable documentary "Being Elmo: A Puppeteers Journey."

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  • Leonard Maltin
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    Margin Call—movie review

    Margin Call manages to put a human face on the current economic crisis—but I wish it was as good as its trailer, which is forceful, well-edited, and dramatically scored. The film itself has many good qualities, and an exceedingly strong cast, but it’s a bit dry.

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