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Movie Reviews

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    SXSW '12 Review: 'Small Apartments' Is An Awkward, Entirely Unsatisfying Mixture Of Sweetness And Filth

    Swedish filmmaker Jonas Åkerlund used to be the kind of director whose every move was worth following. He started out building buzz for his career by making controversial music videos, helming the sensational, barely-seen "Smack My Bitch Up" clip for Prodigy and, way more successfully, the "Ray of L...

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    Review: Adorable 'Gimme the Loot' Makes Graffiti Artists Look like 'The Little Rascals'

    Editor's note: A version of this review originally ran during the 2012 SXSW Film Festival.

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    SXSW '12 Review: 'The Hunter' Is An Eerie And Deeply Affecting Eco-Thriller

    In their 2006 book "Carnivorous Nights: On the Trail of the Tasmanian Tiger," authors Margaret Mittelbach and Michael Crewdson, then researchers at the American Museum of Natural History in Manhattan, talked about becoming obsessed with a stuffed Tasmanian Tiger that they would walk by every day in ...

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    SXSW '12 Review: 'The Aggression Scale' Is Like 'Home Alone' With More Death (But Not As Fun As That Sounds)

    "The Aggression Scale" is like "Home Alone" with more death. If only it were as good a time as that description might lead you to believe. Directed by Steven C. Miller, who last made the Syfy Original "Scream of the Banshee," the movie is a schlocky pleasure when it fin...

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    SXSW '12 Review: At Its Best, Harmless 'Hunky Dory' Is Just That

    It’s the summer of 1976, and between a conservative school administration and an unrelenting drought, things are beyond dry for Wales’ scrappier teens. It’s little wonder that they flock to the more permissive Miss Mae (Minnie Driver) and her glam-rock interpretation of Shakespeare...

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    SXSW '12 Review: Guy Maddin's 'Keyhole' Beautiful And Brassy...But Frustratingly Sealed

    Let us pause, then, to contemplate the fate and fortunes of the director who does not have his or her eye set on the five-picture deal, the glossy franchise, the production wing in the bungalow offices of some major studio; what becomes of the director who only wants to make art and make it well? Ca...

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    SXSW '12 Review: Celebrity, Notoriety & Living In Public As 'Frankie Go Boom'

    "Frankie Go Boom" opens with a home video from a long-ago washed-out suburban childhood, as Bruce tricks his brother Frankie into a pitfall prank that's both caught on tape and a trap for the two of them; flashing forward to adulthood -- or something like it -- Frankie (Charlie Hunnam)...

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    SXSW '12 Review: Melissa Leo Shines In Minutely Observed, Minimalist 'Francine'

    Evoking films like "Winter's Bone" and "Wendy and Lucy" in presenting a sparse, narrowly focused portrait of a lone female protagonist in adverse, not to say desperate circumstances, "Francine" is the kind of small film made for the festival circuit, and for which the festival circuit was made. It i...

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    SXSW '12 Review: 'Tchoupitoulas' Is An Experimental, Dreamy Melange Of The Sights & Sounds Of New Orleans

    "Tchoupitoulas” is a documentary that doesn’t feel like a documentary – and that’s a good thing. This portrait of the famed New Orleans street is more of an experience, a sensation, a mood that washes over you. The new film from the Ross Brothers (Bill and Turner) is ano...

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    SXSW '12 Review: "The Last Fall" Delivers An Earnest Look At Life After Football

    Matthew Cherry’s directorial debut effort The Last Fall is one that we have followed from its inception on this site via our S&A Filmmaker’s Diary.  It’s almost surreal that almost a year later the film is screening at SXSW Film Festival!

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