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Movie Reviews

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    Review: 'Olympus Has Fallen' A Thin, High-Concept Actioner Without Much Bite

    The new big budget, bullet-riddled actioner "Olympus Has Fallen" has a premise so painfully obvious that it's amazing nobody thought of it before, especially in the creatively bankrupt atmosphere of Hollywood. The plot is essentially "Die Hard" in the White House, with a similarly smart-ass loner (G...

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    Review: ‘New World’ A Familiar, But Satisfying & Well-Executed ‘The Departed’-Esque Thriller

    On the page, the set up for Park Hoon Jeong’s “New World” is almost a cliché, the story pivoting around a cop caught in deep cover in the midst of a crime syndicate, looking for a way to the end assignment, only for forces on both sides of the law to squeeze him to a breaking point. In Hollywood, bo...

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    Review: 'Gimme The Loot' Paints An Affectionate Portrait Of The Foibles Of Inner City Youth

    The streets of New York City are alive in the SXSW hit "Gimme The Loot," the endearing and charmingly unpretentious first feature from director Adam Leon. The film seems to move to the beat of jangling spray paint cans, particularly those in the deep pockets of Malcolm and Sofia. These two high scho...

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    Review: Animated 'The Croods' Sacrifices Story & Character On Altar Of Impressive 3D Visuals

    We suspect our reaction may be out of step with the general consensus of press at our Berlin Film Festival screening of the "The Croods" (where we first saw the film back in February) if the guffaws and applause were anything to go by, but really that had us kind of baffled. The DreamWorks film, fro...

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    Now and Then: Hitchcock's Bad-Ass '40s Brunettes Were the Lead-Up to Those '50s Icy Blondes

    My favorite words in the movies come from the dusky, sultry opening minutes of "Rear Window" (1954), as Grace Kelly's New York socialite glides through L.B. Jefferies' (James Stewart) dim apartment, switching on the lights. "From top to bottom," she announces herself. "Lisa." Flick. "Carol." Flick. ...

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    Review: 'Come Out And Play' Is A Xeroxed Horror Remake Disguising A New Director's Vanity Plate

    Who in the hell is Makinov? The single-named director, who has appeared online in masked garb speaking power to his vague filmmaking manifesto, has placed his name all over “Come Out And Play,” an overly respectful remake of the infamous '70s cult chiller “Who Can Kill A Child?” The film opens with ...

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    5 Films To Watch From The 2013 New Directors/New Films Series

    A joint product of the Film Society of Lincoln Center and the Museum of Modern Art for the last 42 years, New Directors/New Films showcases a wide range of first, second and in some cases third features from directors at early stages of their careers.

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    Review: 'Admission' With Tina Fey & Paul Rudd A Low-Stakes Drama Mixed With Toothless Social Satire

    Some people don’t seem to realize that the type of stories being told in film needs to change. Small-scale tales of middlebrow intimacy and minor dramatic conflict used to have a home in the cinemas, where they would play to audiences who didn’t have a surplus of entertainment options. Today, the pr...

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  • Shadow and Act
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    SXSW '13 Review: 'The Retrieval' is A Finely Crafted and Evocative Film

    SXSW '13 Review: 'The Retrieval' is A Finely Crafted and Evocative Film

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